Raaja's WCM Delights!

We have listened to classical pieces of Bach, Mozart and others which have delighted and spell bounded us. Raaja is one Indian Composer who has not only paid tribute to many of these great composers but also defined an identity of his own through his remarkable creativity and usage of WCM techniques. Many of his creations truly undermine his skill, repertoire and potential in Western classical music. Like the above mentioned composers, Raajas brand of WCM is also epoch making and should truly stand the test of time. Lets explore and celebrate some of his greatest WCM based compositions/re-recordings.

1) Title Score - Ullasa Paravaigal
A re-recording score to get this underway. Royalty and grandness all over this score, just the immediate piano transports you to Europe and feels like you are having vineyard wine at Paris or strawberries and cream at Wimbledon with this man's music for company. Absolutely delightful and soul stirring. Great drumming, brass sections and lovely keys. The softness in the tone elevates the score to an all together another level. Beautiness and royaltiness personified!. You can hear the full background score here.
https://www.youtube.com/watch?v=2O8MUN6tAkM

2) Pon Vaanile - Anbin Mugavari
The baroque era captured in a shade under 5 minutes. Listen to the instruments all coriscating along to give a fillip submerging the beauty of WCM in all it's splendour. Vintage and Victorious!
https://www.youtube.com/watch?v=CfFpXE3gLtQ

3) Teaser Music - Happi
Unfortunately this movie never saw the light of the day. Just the teaser is enough to transport you to the golden era. This is Western Classical Music in its Purest Form. Such Intricate harmony of Violins, violas & Oboe.
https://www.youtube.com/watch?v=_BYpyIhXA3Q

4) Eriyile Elandha Maram - Karaiyellaam Shenbagapoo
Absolutely lovely this composition is. The prelude and interludes are so WCMish whereas the singing is so folkish but not once does it feel out of place with all the harmonization and choir going in a glorious sync.
https://www.youtube.com/watch?v=HDAMwSek4sk

5)  Azhagiya Malargalin - Ullasa Paravaigal
Everything about this song is just a sheer delight. The salad days, IR in replete WCM form. The sounds of the marching drum, those violins traversing across octaves, the flute prancing joyfully, the la la chorus in the background, the sounds of the bell, major scale blues, S Janaki's brilliant rendition etc etc all transport you to Euro Land in a whisker. 3 and a half minutes of sheer ecstasy and joy. This is World Class Music at its most enjoyable and pristine form.
https://www.youtube.com/watch?v=w0LYChweXgU

6) Jiske Sahare - Kamagni
Closing this thread with a golden agmark classic slathered with western elements. The prelude just knocks you out cold with it's soul stirring orchestration. You just can't but smile at the way the composition flows like a free flowing river with the la la chorus handing the baton beautifully to the prelude portion. There are also some fun bits of musical xylophene created for a slightly softer touch. This one is sheer wizardry in the evergreen major scale Shankarabaranam.
https://www.youtube.com/watch?v=vpCGhW8Hw3A

Raaja 'X' Factor Phaser Effects/Vamping

Phaser Effect is a technique used to create an extra effect mostly by modulation.Vamping is generally a repeated musical sequence or progression. These are techniques which drive a song making it extra special and giving the desired punchy effect it requires. As usual Raja's usage of these technique makes us go high in spirits. We shall see the employment of these techniques in some of Raaja's vintage compositions.

1) Bulbul Maine - Sandhyakku Virinja Poovu
Starting this thread with this miraculous malayalam composition rendered by KJ Yesudas which to be frank is a pretty unknown commodity. But wait till you give it a listen, as I'm sure you'll fall hook, line & sincer listening to the vamping and phasing touches beautifully caricatured by Raaja. It is flooded with unbelievable effects throughout the song.
The guitar portions are especially mind boggling and out of the world
https://www.youtube.com/watch?v=DTfpgafOnlk

2) Senorita - Jhonny
This is an evergreen favourite. The effects are in full flow right from the start and goes at a razor sharp pace accentuating the pep making the song listening experience a truly remarkable one. I believe scissors could have been used to create that effect. You would find lots of wacky sounds throughout but it just doesn't deviate from the flow of the composition one bit.
https://www.youtube.com/watch?v=bXmaZVlsJ7s

3) Naalo Chinukulatho - Darja Donga
I don't really have to say anything much on this. Just the opening bits itself transport the aural experience with fluid vamping effects. This composition also has a breezy bass touch to go on top of this and the pace of the song undergoes turbulent phases. A vintage classic from Andhra Land.
https://www.youtube.com/watch?v=g4qB9p_ix5A

4) Aye Zindagi - Sadma
The Vamping appears just before the pallavi portion giving a trigger as well as a pulsating effect. The little bits complementing the singing also uses a bit of these techniques. A song for the ages.
https://www.youtube.com/watch?v=0BXqAnZWqdQ

5) Poo Malarnthuda - Tik Tik Tik
Poo Malarnthuda is a fantastic illustration employing these technique. The 1st interlude Violin is just freaking out at a frenetic level.
https://www.youtube.com/watch?v=n-9lYfR6Q4E

6) Netru Indha Neram - Tik Tik Tik
While speaking about Poo Malarnthuda, it is difficult to ignore the classic Netru Indru Neram also from the same movie. It has some Wowwww effects flooded especially interlaced in the 1st interlude. A kick ass funky song in all respects.
https://www.youtube.com/watch?v=VbpAc9tNQyw

7) Manadhil Enna Ninaivugalo - Poonthalir
Now coming to a literal stunner in F Major Manadhil Enna, a song composed over 3 decades ago but even when you listen to it today it'll shake and stir you. Vintage Raaja of the highest order.
https://www.youtube.com/watch?v=gG3wtos7dkY

8) Summa Nikathinga - Thoongathe Thambi Thoongathe
A total riot of a song, an entertainer right from start to end. Check out the rippling sound created as soon as the singing starts of Summa Nikathenga which has a teasing kind of effect and you witness this through the whole of the composition.
https://www.youtube.com/watch?v=eaPWpVWJT-4

9) Paruvakalangalin - Moodupani
Paruvakalangalin has amazing effects interspersed all through the length & breadth of the composition. It is a bit sad that it never enjoyed a run time as much as its illustrious counterpart En Iniya Pon Nilave. A song that has always fascinated me. There are trademark Vamps appearing fleetingly, in fact the entire song has different guitar usages throughout. An ephemeral but everlasting song.
https://www.youtube.com/watch?v=I90N1W6de-E

10) Endrendrum Anandame - Kadal Meengal
Probably a song known more for its complex cross rhythm patterns, it also has some amazing effects and Malaysia Sir has literally freaked out in rendering this. Kamal must have been upset that a composition of this magnitude was perhaps not pictured on him. Wah re Wah! - What a composition.
https://www.youtube.com/watch?v=UxAQOrkpBrk

11) Solla Solla Enna Perumai - Ellaam Inba Mayam
This is an absolutely sensational retro classic. Some wonderful vamping touches there appearing time and again with the rockstar SPB just pushing his limits to another level. Another song worth praising to the sky.
https://www.youtube.com/watch?v=W2phTrVo_X4

12) Irandum Ondrodu - Panakkaran
Ending on a high note with this composition from a Rajinikanth film. The song instantly signals your dancing instincts. Listen to the tonal quality and simply be beduffled. All these sounds just don't fall out of place and only enhance the crinkles even further.
https://www.youtube.com/watch?v=FwDv1P5-ubc

Celebrating 33 years of Sigappu Rojakkal !!

Sigappu Rojakkal released this day on 28th Oct 1978.
Before this film,it was believed that Raaja was clubbed by the name 'Gramathu Raja' and he was criticized that he was suitable only for folk/village based songs. But it was with this movie and later Priya which released a month later that Raaja truly showcased his repertoire by unleashing some stunning WCM based songs/re-recordings and proving that he was more than just a one genre wonder and make the critics eat humble pie.

This movie in a way is a cornerstone in Maestro's career.
Just 2 songs tuned for this movie but both had the stamp of class written all over it and to this day it remains the favourite of many a Maestro fan.

The movie directed by BharathiRaja was a psycho thriller and much ahead of its times . A gripping entertainer Kamal Hassan as the Mysterious Businessman 'Dileep' and Sridevi as Salesgirl 'Sharada' remain etched in memory.
A truly landmark movie in all respects.

IR Playlist!

There are different Isaignani songs which kindle our emotions in different ways. For every situation, mood, feel, thought etc his music always comes in handy. One can always start forming their very own Raaja playlists from his mast oeuvre. A theme can be undertaken and it could be anything ranging from songs on a rainy day to a long distance drive or maybe an instrument usage such as Guitar Ragalai/Violin Convergence or perhaps foot tapping dance chart busters or even numbers apt for a festival occasion like Pongal, Diwali etc and lots more. It can be made more interesting by having various themes to enjoy one's own self and thereby also celebrate some of his greatest creations. Start music!

One particular theme which Raaja has walked the walk and talked the talk is with regard to flower songs. The Govt of Tamil Nadu can consider providing a honour to Maestro Ilaiyaraaja for beautifying and glorifying the 'flower' or 'poo' to such an extent in his compositions.

Attached below is the list of Maestro Flower Songs.
1) Chinna Poo Chinna Poo - Japanil Kalyanaraman
2) Aivagai Malargale - Adhigaaram
3) Poovarasampoo Poothaachu - Kizhakke Pogum Raiyil
4) Poovadikalil Alayum - Vyaamohan (Malayalam)
5) Poove Ilaya Poove - Kozhi Koovudhu
6) Poo Malaye - Pagal Nilavu
7) Poove Poochudavaa - Poove Poochudavaa
8) Chinna Chinna Roja Poove - Poovizhi Vasalile
9) Poovadai Kaatre - My Dear Kuttichaathan
10) Poovukku Poovale - Anand
11) Poove Sempoove - Solla Thudikkudhu Manasu
12) Then Poove - Anbulla Rajinikanth
13) Poova Eduthu - Amman Kovil Kizhakkaale
14) Senthaazham Poovil - Mullum Malarum
15) Aayiram Malargale - Niram Maaratha Pookal
16) Poovil Vandu - Kadhal Oviyam
17) Poonthottam Poovil - Nadhiyai Thedi Vantha Kadal
18) Poovaana Aetta Thottu - Ponmana Selvan
19) Poovendrum Ponne Endrum - Dhruva Nathchathiram
20) Poonthalir Aada - Panneer Pushpangal
21) Poo Malarnthida Nadanthidum - Tik Tik Tik
22) Poovum Thenral Kaatrum - Pickpocket
23) Poo Pookum Masam - Varsham 16
24) Poo Poo Poo Poo Pootha Solai - Pudhu Nellu Pudhu Naathu
25) Poove Poove Ponnamma - Paattuku Naan Adimai
26) Poovile Medai - Pagal Nilavu
27) Vanamellam Shenbagapoo- Nadodi Pattukaran
28) Poo Mudithu Pottu Vaitha Nila - En Purushan Dhaan Enakku Mattum Dhaan
29) Oar Poomaalai - Iniya Uravu Poothadhu
30) Poovizhi Vaasalil - Dheepam
31) Poothu Poothu Kulungudhadi Poovu - Kumbakkarai Thangaiyaa
32) Malargale Nadhaswarangal - Kizhakke Pogum Raiyil
33) Hoomale Hoomale - Hoomale (Kannada)
34) Jeeva Hoovaagidhe - Nee Nanna Gellaare (Kannada)
35) Vaa Vaa Manjal Malare - Rajadhi Raja
36) Naan Thedum Sevvanthi Poovithu - Dharma Pathini
37) Putham Puthu Poo Poothatho - Thalapathi
38) Poo Poothadhu - Mumbai Express
39) Pothi Vecha Malligai Muthu - Mannvasanai
40) Rojaappoo - Agni Natchathiram
41) Malliga Mottu Manasa Thottu - Sakthivel
42) Kodiyile Maliya Poo - Kadalora Kavithaigal
43) Poo Sirikkudhu - Vaalmiki
44) Azhagiya Malargalin - Ullasa Paravaigal
45) Pani Vizhum Malarvanum - Ninaivellam Nithya
46) Pudhiya Poovidhu - Thendrale Ennai Thodu
47) Kothamalli Poove - Kallukkul Eeram
48) Poo choodum - Aan Azhagan
49) Rojavai Thalattum Thendral - Ninaivellam Nithya
50) Alli vacha malligaye - Inimai Itho Itho
51) Chembaruthi Pen Oruthi - Raman Abdullah
52) Roja Poonthottam - Friends
53) Pattu Poove Mettu Paadu - Chembaruthi
54) Solai Poovil - Vellai Roja
55) Malargalil Aadum - Kalyanaraman
56) Sempoove Poove - Siraichalai
57) Magizham Poove - Pudhiya Adimaigal
58) Thalaiye Kuniyum Thamaraye - Oru Odai Nathiyagiradhu
59) Sithakathi Pookale - Rajakumaran
60) Kaathodu Poovurasa - Anbukku Naan Adimai
61) Malargalile aaradhanai - Karumbu Vil
62) Poonkaviyam - Karpura Mulai
63) Thalam Poove - Kai Kodukkum Kai
64) Poomele Veesum - Echchil Iravugal
65) Poonkodi Than - Idhayam
66) Oru Poo Vanatthila - Kazhugu
67) Yezhaippoo unnai - Echchil Iravugal
68) Sembaruthi Poove - Naanum Oru Thozilali
69) Adukkumalli - Aavarampoo
70) Adukkumalligai - Thangamagan
71) Sendhoorappoove - 16 Vayathiniley
72) Indha Poovukkoru Kadhai Undu - Iravu Pookkal
73) Indha poovukkoru arasan - Poovarasan
74) Idhu Rosappoovu - Naan Sigappu Manithan
75) Malligai Maalai Katti from Puthiya Raagam
76) Poo Enbadha - Uyire Unakaaga
77) Anbu Malargalin Solai - Kannukku Mai Ezhudhu
78) Poove Nee Naanaagavum - Kannukku Mai Ezhudhu
79) Vaada Malliye - Kannukku Mai Ezhudhu
80) Sevvandhi Poomudicha - 16 vayathinile
81) Thamarai Kodi - Ananda Kummi
82) Va Va Mysooru Malligae - Aduthathu Albert
83) Oru Poongavanam - Agni Natchathiram
84) Roja Thottam - Alai Osai
85) Aayiram Thamarai - Alaigal Oyvathillai
86) Azhagaana Pookkal - Anbe Odi Vaa
87) Rathiriyil Poothirukkum Thamarai - Thanga Magan
88) Poovendhum - Anthapuram
89) Nattu Vecha Rosa Chedi from Aranmanai Kili
90) Senthazhampoovil - Athiradippadai
91) Panneer Pushpangale - Aval Appadithaan
92) Devan Thiruchabhai Malargale - Avar Enakke Sondham
93) Kurunji Malaril - Azhage Unnai Aarathikkiren
94) Poojaikketha Poovidhu
95) Sevvarali Thottathile from Bhagavathypuram Railway Gate
96) Sembaruthi Poovukku - Dharma
97) Poovodu Kaatru Vandhu - Dharmam Vellum
98) Poothu Nikkudhu - Echchil Iravugal
99) Poo Vendumey - En Iniya Pon Nilaave
100) Manadhil Ore Oru Poo Poothathu from En Purushan Thaan Enakku Mattum Thaan
101) Parijaadha Poove - En Rasavin Manasule
102) Madhura Marikkozhundhu - Enga Ooru Paattukkaran
103) Shenbagame - Enga Ooru Paattukkaran
104) Malligappoo Kattilile - Enna Petha Rasa
105) Malare Pesu from Geethanjali
106) Poove Idhu - Graamathyu Athiyayam
107) Vaadatha Rosappoo - Graamathyu Athiyayam
108) Poo Vaadaikkatru - Gopurangal Saivathillai
109) Kaatru Poovil - I love India
110) Eeramana Rojave - Ilamai Kaalangal
111) Mottu Vitta Mullai Kodi - Indru Nee Naalai Naan
112) Thazhampoove - Indru Nee Naalai Naan
113) Or Poomaalai - Iniya Uravu Poothathu
114) Malli Malli - Iravu Pookal
115) Yaar Veettu Roja - Idhaya Koyil
116) Poothathu Poovu - Jagan Mohini
117) Poo Potta Dhavani - Kaakki Sattai
118) Malare Malare - Kadhal Kadhai
119) Malare Malare Ullasam - Un Kannil Neer Vazhinthaal
120) Poojaikkaha vazhum poovai - Kadhal Oviyam
121) Nadhiyilaadum Poovanam - Kadhal Oviyam
122) Sangeetha Jathi Mullai - Kadhal Oviyam
123) Poovarasampoove - Kadavul
124) Kothamalli Poove - Kallukkul Eeram
125) Vanthaaley Allippoo - Kan Sivanthaal Mann Sivakkum
126) Maalai Soodu - Kanne Radha
127) Roja Poonthottam - Kannukul Nilave
128) Chinna Poove Poove - Kattumarakkaran
129) Mama Poo Poo - Kavalaipadaathey Sagotharaa
130) Poo Polaeh - Kavari Maan
131) Kaatrum Poovum - Kavidhai Paadum Alaigal
132) Karpura Mullai Ondru - karpura mullai
133) Pacha Mala Poovu - kizhakku Vaasal
134) Poo Nilavonnu - Kizhakkum Merkkum
135) Then Thoongum Poove - Kodai Mazhai
136) Roja Ondru - Komberi Mookkan
137) Roja Onru Ullankaiyil poothadhu - O Maane Maane
138) Poothu Poothu Kulunguthadi Poovu - Kumbakarai Thangayya
139) Malligai Poovukkul - Magane Magane
140) Madhu Malargale - Magane Magane
141) Kaathirunda Malli malli Mallu Vetti Minor
142) Aavaram Poovaithottu - Manamagaley Vaa
143) Pavala Malligai - Mandhira Punnagai
144) Sevvanthi Pookkalil - Mella Pesungal
145) Endha Poovilum - Murattu Kaalai
146) Naan Poo Eduthu - Naanum Oru Thozhilali
147) Pattu Poove - Naanum Oru Thozhilali
148) Gulu Gulu Malare - Nee Sirithaal Deepavali
149) Paarijadham Pagalil - Nilavu Suduvathillai
150) Poove Pani Poove - Nilavu Suduvathillai
151) Pookkal Sindhungal - Nizhal Thedum Nenjangal
152) Malliye - Pandithurai
153) Aayiram Poovum Undu - Pasa Mazhai
154) Solai Malare - Paattu Vaathiyaar
155) Malligaye - Periya Veettu Pannaikkaran
156) Poove Varuga - Periyamma
157) Potteney Poo Vilangu - Poo Vilangu
158) Iniya Malargal - Poonthottam
159) Yezhai Poo Unnai Theduthey - Pudhiya Adimaigal
160) Ye Marikkozhundhu - Pudhu Nellu Pudhu Naathu
161) Manakkum Malligai - Rickshaw Mama
162) Athimara Poo Idhu - Saadhanai
163) Nenjukkuam Poo Manjangal - Sattai Illadha Pambaram
164) Malliga Mottu - Sakthi Vel
165) Vaasalile Poosanipoo - Shenbagame Shenbagame
166) Un Pakkathula Oru Poova Vecha - Sendhooram
167) Vaasamalli Poovu - Sevvandhi
168) Gundu Malli - Solla Marandha Kadhai
169) Kan Malargalin - Thai Pongal
170) Pani Vizhum Poo Nilavil - Thai Pongal
171) Malligai Pandha - Thanga Mama
172) Poothathu Poonthoppu - Thanga Manasukkaran
173) Mullai Arumbe - Thanikkaattu Raja
174) Then Malli Poove - Thiyagam
175) Naan Thanga Roja - Time
176) Solai Pushpangalae - Ingeyum Oru Gangai
177) Sengamalam Sirikkudhu - Dhavani Kanavugal
178) Germaniyin Sendhen Malare - Ullasa Paravaigal
179) Narumana Malargalin - Urangaatha Ninaivugal
180) Malare Nalamaa - Urimai
181) Poove Siru Poove - Va Va Vasanthame
182) Chinna Chinna Poo - Chinna Kannamma
183) Nerunjippoo - Vazhga Valarga
184) Azhagu Malaraada - Vaidehi Kathirundhaal
185) Pattu Poo - Veera
186) Malare Thendral - Veetila Viseshanga
187) Kombula Poova Suthi - Virumandi
188) Poovai Virinju - Adharvam (Malayalam)
189) Thenchodi Poove - Anuraaga Kottaram (Malayalam)
190) Alli Poove from Bhagya Devadha (Malayalam)
191) Malar Thoppinil - Dooram Arike (Malayalam)
192) Shivamallipoove - Friends (Malayalam)
193) Punnarapoovilum - Friends (Malayalam)
194) Chempoove - Kalaapaani (Malayalam)
195) Pala Poo Mahangalazha - Kochu Kochu Santhoshangal (Malayalam)
196) Alliyilam Poovo - Mangalam Nerunnu (Malayalam)
197) En Poove - Pappayude Swandham Appoose (Malayalam)
198) Thazhampoo Thalil - Oomakkuyil (Malayalam)
199) Poo Kumkumapoo - Rasathanthram (Malayalam)
200) Mandarapoo - Vinoda Yathra (Malayalam)
201) Oru Pushpavum - Vyaamohan
202) Sooreedu poova - Anthapuram (Telugu)
203) Sindhoorapu Poo thotalo - Killer
204) Malle Puvvulo - Malle Puvvu (Telugu)
205) Ponnaaram Poovaram - Pagalil Oru Iravu
206) Banti chaamanti - Abhilasha (Telugu)
207) Navvinthi malli chendu - Abhilasha (Telugu)
208) Malli Malli -Rakshadalu (Telugu)
209) Malle Poovula - Sreekaram (Telugu)
210) Poovakelu - Azhagarsamiyin Kuthirai
211) Indha Maamanoda Manasu Malliyapoo - Uthama Raasa
212) Panpaadum Thaamaraye Vaa Vaa - Nee Thodum Podhu
213) arumbaagi mottagi poovagi - Enga ooru kaavalkaaran
214) Arumbarumba Saram Thoduttha - Chinna Thaayi

Similar to this a bucket load of many different playlists can be considered as IR compositions have so much muster in them that it not only captures varied emotions but also captivates the senses.

Raaja - The Boss of Bass!

Bass generally means sounds at a lower frequency. They act like a harmonizing effect to the main melody. In Raaja's case, the bass by itself sounds so rich and when combined with the song it reaches proportions of enormity. Raja's usage of Bass is unparalleled and his idea of composing bass is an experiment by itself. Let's take a look at some of his bass based bazooka bastions.

1) Devanin Koil Moodiya Neram - Aruvadai Naal
One of the first songs which pierced my heart with absolutely breathtaking Bass is Devanin Koil Moodiya Neram. The song opens up with some wonderful chanting by Maestro. When Chitra sings in her super sweet melodious voice, its hard not to notice the Bass seeping up in parallel from the other side and providing ample harmonic backing transcending the song to an all time high. Its a feeling of ecstasy listening to this composition. Bliss of the highest order!
http://www.youtube.com/watch?v=q9pE6gSN7ic

2) Vaan Megam - Punnagai Mannan
Talking about Bass, its tough to look beyond this stunner! This is epitome of Bassness personified. The bass track by itself is mind boggling and goes twinkling along on its own merry way. I somehow feel Raja's bass in Rain songs is extra special and they sound like the nectar filled droplets. A hallmark song in Maestro's career. Every time you feel so refreshed and rejuvenated listening to this. A composition which makes you absolutely stupefied.
http://www.youtube.com/watch?v=_TrqFUxM2IE

3) Dhegam Pon Dhegam - Anbulla Malare
A super hard hitting Bass Track. It happens to be a very rare song in an hitherto rare ragam Revagupti rendered absolutely masterfully by S Janaki with the bass beautifully complementing
and painting the perfect picture throughout the song. Enigmatic, Erotic & Enthralling!
http://youtube.com/watch?v=Eq7laKV3Uy0

4) Penmaane Sangeetham - Naan Sigappu Manidhan
Sometimes i wonder as to why he even writes a Bass track for these sweet sacharine Shankarabaranam kinda melodies like Penmaane Sangeetham? The song already sounds so melodious and you tend to think what else do you need and then you realize that you missed out on the lovely breezy Bass Guitar which goes by the side as S Janaki does the humming that is simply unimaginable. To even imagine that so much is packed in a mere 4 1/2 mins makes you truly wonder 'What this man is made of'.
https://www.youtube.com/watch?v=sS880ptpbcU

5) Aala Asathum - Kanni Raasi
A classic in Chalnaatai, this one's a bombshell. Check out the finesse bass touches (surprising it includes a lot of Ma2 in the form of a bass chromatic which goes Ga2 Ma1 Ma2 Pa which does not form part of the Chalnaatai scale, but the result is wow). In the 1st interlude the Bass seems to act as the counterpoint partner to the main melody. A song which lifts your spirits and makes you go full throttle. Freeflowing freakoutness!
http://www.youtube.com/watch?v=1H_AwNEig94

6) Chinna Chinna Vannakuyil - Mouna Ragam
This song from this evergreen movie simply has a superlative bass track. A song not very popular as the other tracks in this masterful album but the bass here is absolutely gob smacking stuff . Have always been fascinated by the Bass track making it have a special place in my heart.
http://www.youtube.com/watch?v=7bmdL9wtHGY

7) Megam Kottatum - Enakkul Oruvan
The bazz bedazzles and makes you dance joyfully in the rain. The bass lines are a sheer delight and they flow in their own merry way. Awesomeness beyond Awesomeness. Enjoy the Pouring Rains with this bass beauty.
https://www.youtube.com/watch?v=GXY3nMdriS0

8) Kannan Vandhu - Rettai Vaal Kuruvi
You just cannot but not drooooolllll over this Bass Beauty. Simply Superb and lost for words.
http://www.youtube.com/watch?v=51QcM2eHg7c

9) Vaanile Thenile - Kaakhi Chattai
A Bass beauty, its just impossible not to tap your feet when listening to this one. Bass magic written all over the soul.
https://www.youtube.com/watch?v=u-Vb3fREvVc

10) Anjali Anjali - Anjali
Anjali Anjali cannot be classified under one genre alone, its a spectacle in every way and is a song which is always addictive and I can listen to this riveting Shankarabaranam any moment any time of the day. There is some wonderful bass throughout the song and especially notice the portion from 01:53 to 01:59 where there is an absolutely breathtaking Bass played along the notes Pa Ga Ma Ri Ga Sa Pa Sa. Also there is a nice bass playing the notes Pa Ni Sa Ga (repeat twice) and then Pa Pa' Ri' Ni when the lyrics go Nadakum Nadakum. Can listen to this song a gazillion times and feel so ecstatic still listening to it the next time.
https://www.youtube.com/watch?v=iC9gSQx3d_0

Raaja's Golden Arpeggios or Broken Chords!

In music, an arpeggio is a technique where notes in a chord are played or sung in sequence one after the other rather than being played simultaneously. For instance C Major Chord consists of C E G . Instead of playing it in unison, if we play by breaking it and playing as separate notes it constitutes an Arpeggio .There are plenty of Maestro's songs which have Arpegios/Broken Chords where we will take a look at a sample few:

1) Vinnaar Amudhey - Baba Pugazh Maalai

Hear the melody going in parallel with the song. This is a wonderful illustration of using a broken chord or Arpeggio.

http://www.youtube.com/watch?v=i-D0X8kZwOQ

2) Maamanukku Mylapore - Velaikaran

An absolute fun riot song with rollicking lyrics, its impossible not to tap your feet when you listen to this. The song also has some really catchy Arpegios, hear the Bass Arpegios from 01:07 to 01:16

and also the trumpet has fun between 02:44 to 02:46

https://www.youtube.com/watch?v=n8oG5W_Zrkg

3) Minmini Paarvaigal - Julie Ganapathi

Minmini Paarvaigal is a gem from Raja in the 2000s and is a really nice composition where the starting notes themselves represent a Broken Chord. It utilizes the notes 

Sa Ga Pa (C Minor) Minmini

Sa Ga Pa (C Minor) Paarvaigal

Sa Ma Da (F Minor) En Nenjam

https://www.youtube.com/watch?v=bFQ7WLVCe_8

4) Nilave Nee Vara Vendum - En Arugil Nee Irunthal

Check out the soul ridden broken chords on this soul stirring number Nilave Nee Varavendum from En Arugil Nee Irunthal which is another 90's beauty. Look at the delectable prelude using chordal break ups and forming a melody Pa Sa Ga2 4 times (C Minor), Ni2 Ga2 Pa (E Minor) Ni2 Ma1 Ga, Pa Ga Sa (C Minor), Pa Sa Ni. You also hear the broken chord Pa Sa Ga2 (C Minor) going continuously during the 2nd interlude and acting as a counterpoint to the lush filling mellowy guitar melody moving in parallel. Truly a camaraderie between the Guitars, Violins and Flute.

http://www.youtube.com/watch?v=Ql7XtI44IMk

5) En Gaanam - Eera Vizhi Kaaviyangal

Absolutely wonderful layering with broken chords playing a major role. Hypnotically bliss listening to it all by yourself.

https://www.youtube.com/watch?v=gmXor_29l4E

Raaja's Goose-bumping Trills!

Trills are rapid alternation between 2 adjacent notes. It generally occurs at a very fast pace . For instance continuous repetition of the notes Da & Ni (Carnatic) or A & B (Western). Maestro has used Trills mostly in his WCM compositions and its more prevalent in his background music where he uses trills to communicate an emotion or convey a feeling. We shall now explore some of his Trills which has truly thrilled us.

1) Title Score - Nenjathai Killathe
Whenever i listen to this piece , get a feeling of ecstacy..The piece keeps getting better as you hear more and when it finally ends with the Trill , its like attaining Nirvana. Check out the trill towards the end 2:02 to 2:04 which thrills us to bits. The notes go A Bb or Da2 Ni2 continously and ends .So Awe-Inspiring and Heavenly!
http://soundcloud.com/dil-1/title-score-nenjathai-killathe

2) Title score - Azhagarsamiyin Kudhirai
I also spot a small Trill in the awesome ASK piece. Another BGM piece which tears your heart.
Check out the Trill at 01:06-01:07 and the same again at 01:32-01:33.
http://soundcloud.com/dil-1/title-score-azhagarsamiyin

3) Jeevitham Manogatham - Time

Stumbled across another stunning WCM Based composition Jeevitham Manogatham from Time ..

Check out the excited Trills at 0:02 and 0:09 ..A brilliant Western composition sung by Sujatha , not to be missed.
https://www.youtube.com/watch?v=lCzDlxrjRwk

4) Putham Puthu Kaalai - Alaigal Oyvathillai

Talking about Trills , how could i miss this one? Infact its the trills played on the flute in the prelude right from the start which acts as the gateway to the beauty that is about to unfold soon. There is a marriage happening between the Trills and Chromatics during the prelude. First its a Trill between the notes Sa and Ri2 it goes Sa Ri2 multiple times and ends on Sa , now ri1 is introduced and the notes play a chromatic Ri1 Ri2 Ga2 , to be taken over by the trill again which plays Ri2 Ga2 numerous times and ends on Ri2 , and then there is a downward chromatic starting from Ri1 and goes Ri1 Sa Ni3 Ni2 Da2 Da1Pa Ma2 Ma1 and then there's a trill again between Ga2 and Ma1 continously which leads the way for another chromatic Ri2 Ri1 Sa and then the violin slowly open up. One of the most heavenly songs ever created. Period. All this happens in a matter of 15 seconds. What a heavenly composition!.

In a nutshell Trill (Sa&Ri)-> Short chromatic forward ->Trill (Ri&Ga) -> Long Chromatic backward -> Trill (Ga&Ma) -> Short Chromatic backward

http://www.youtube.com/watch?v=pwr17VHk8GY

5) Maniye Manikuyile - Nadodi Thendral

This is trills of the reverberating kind to thrill your senses. Hear from 01:30 onwards to experience it.

https://www.youtube.com/watch?v=JvIqWygqX0g

6) Hey Indha Poongatru - Uthiri Pookal

There are trills throughout this short song between different swaras. First by the flute at 00:19 when there is alternation between the notes Sa and Ri , then between Ri and Ga at 01:19 , 01:21 and 01:23 , then between Pa and Da at 01:27 and then between Da and Ni at 01:30. Listening to this dries up your heart and leaves you with a lump on your throat. Just love this song

https://www.youtube.com/watch?v=CQU4-A5AAgI

7) Dhoorathil Naan Kanda - Nizhalgal

The trills in this song capture the emotions so perfectly in this soulful number.Probably the least known number from this movie but no less from the other three in terms of histrionics. Check out the trills appearing in the 1st interlude. Check out the emotion filled Trills on the flute at 01:32

http://www.youtube.com/watch?v=YKH47Tiwgs4

8) Yamunai Aatrile - Thalapathi

Yamunai Aatrile starting there seems to be a flute trill. Just love this song for the sensory aural treat and the amazing picturisation.

https://www.youtube.com/watch?v=KV8Wpnpm_lg

9) Thendral Kaatre - Kumbakariah Thangiah

Check out the the lovely folkish trills on the flute at 1:05, so native and so feel good.

Maestro's folk based compositions generally have some a tinge of a western touch and this song truly exemplifies that by using some WCM techniques in a rustic atmosphere and he makes it sound so serene.

https://www.youtube.com/watch?v=5JlYoo3egWw

10) Theme Music - Raaja Paarvai

Something to get mesmerized, 1 and a half minutes of pure bliss. Close your eyes, open your ears and travel with Raja sir somewhere farrrrrrr away where everything else ceases to exist. There is a small resonating trill on the violin towards the end of the piece at 01:26 with the notes playing Ga and Ma in alteration. Simply Superb!

http://youtu.be/5E9vvKHP21I

Raja's Chromatics-A class apart!

Chromatics means playing 3 or more consecutive notes both front or back. For eg. in Carnatic Music Sa Ri1 Ri2 is an illustration of Chromatics &similarly in Western playing C C# D constitutes a chromatic pattern. Chromatics should be used judiciously and do not sound nice if they are frequently used & the musician should take extra care if he were to use Chromatics. Maestro Ilaiyaraja's use of chromatics is at a staggering level&he literally plays with them. I would now list down a few of my favourite songs which have Raja's chromatic stamp written all over.

1) Ilaya Nila - Payanangal Mudivathilai
This song is more famous for its brilliant usage of the guitar..but the chromatic touches give an extra special feel to the song.Hear (0.17 to 0.18)and (0.20 to 0.21)..in carnatic notations Ga pa (Sa Ni2 Ni1-this alone is a chromatic)& Ga pa (Ni1Da2 Da1-yet another chromatic passage)..You can also find the chromatic feel during the 2nd interlude(Pa Pa Pa.....Pa Ma2 Ma Ma2 Pa).One of the most evergreen songs of TFM,the chromatics bit adds an extra special effect to the mindblowing guitar piece and SPB'S youthful singing.
https://www.youtube.com/watch?v=QutKB7tfnxo

2) En Gaanam Indru - Eera Vizhi Kaaviyangal
Even lots of Raja fans are not aware of this song..but trust me just the hearing of this song takes u to another world..a world where only music exists..It has had such an impact on me..im sure u will be able to echo my sentiments..U can have this song in Play mode throughout the night.Hear between (1.25 to 1.34)to get the feel of Chromatics.The notes go Sa Ni2 Ni Da2 Da Pa,Pa Da Pa Ma Pa Da Pa,Ga2 Ga1 ri2 ri1 Sa ni2,Ni2 Sa Ni Da Ni Sa Ni.Simply Brilliant!!
https://www.youtube.com/watch?v=O6lDXcGGHPI

3) Etho Mogam - Kozhi Koovuthu
A stunning song with amazing harmonal patterns..Hear the second interlude (3.31 to 3.35)and between (3.54 to 3.56)where the chromaticism moves in a descending way..The chromatics syncs so beautifully with the harmony..Running out of words to describe the mastery of this song
https://www.youtube.com/watch?v=SX3m9XC7ZWA

4) Puthu Mappilaiku - Apoorva Sagotharargal
What a funky&energetic song..in the Rock'n'Roll Genre..The chorus in the prelude with the trumpet by the side,the brilliant high octane singing of SPB. The change of scale from minor to major..a bit of bass sprinkled in between. And oh i've not even yet spoken about the topic of discussion Chromatics which again is in abundance throughout the song. Note the 1st interlude (1.34 to 1.38) where he has literally played with the notes where the chromatics keep rotating up and down giving an extra pep and also not to forget during the 2nd interlude between (2.35 to 3.00) where the Rock n roll in the background beautifully complements the chromatics. This easily outwits the chromatics in the 1st interlude. Absolutely Unbelievable!!
https://www.youtube.com/watch?v=ujRYQ1bikC0

5) Song:Guruvayurappa - Pudhu Pudhu Arthangal
The last film of the KB-IR Duo..but what a treat they have served us..What a pity we couldnt get more brilliance from this awesome twosome..Coming to the song of Discussion,Guruvayurappa what i can say but sit back and be immersed by the awe of this song..what a melodious prelude(the piano and flute syncing like siamese twins. SPB&Chitra's singing etc etc. Hear the 1st interlude and get spellbounded, here the 2nd interlude played with the guitar and get blown away.
Mindblowing is not the word, I'm still searching for the apt description:).
https://www.youtube.com/watch?v=Ztj5sCOkYJw

6) Oh Butterfly - Meera
What a wonderful melody!!A melifluos prelude,the heavenly singing of SPB&Asha Bhosle,the scale changes,the amazing chordal patterns and the wonderful finish with chromatics moving in the descending order..hear between (04.51 to 05.41)and get to know what stuff geniuses are made of..
https://www.youtube.com/watch?v=ny2zQpgvWqA

7) Netru Indru Neram - Tik Tik Tik
This funky song has the chromatic stamp all over it ..It starts as early in the prelude at 0:12 and 0:16 played by Funk Guitars i think ..And then check at the end of prelude where it ends with chromatics to give a crescendo kinda effect at 0:36 to 0:39. Check the 1st interlude towards the end after Guitar ends its show , a sudden sober effect created with strings playing Chromatics at 01:35. Not to forget you would configure Chromatics immediately whenever Netru Indru Neram is sung.
http://www.youtube.com/watch?v=QoVJq-ziRVU

8) Paadivaa Thendrale - Mudivalla Arambam
Another song laden with chromatics all over ..
At the end of the prelude before Malaysia starts singing btwn 0:51-0:52 , and then again at beginning of 1st interlude with the sax playing at 01:19-01:20 ..and then the guitar btwn 01:42 to 01:46 , then the flute from 02:02-02:03, and flute again from 02:57 to 02:59, again at 03:23.This is just the chromatics, there is so much more to the song. My Love - Paadivaa Thendrale
https://www.youtube.com/watch?v=8obKMg3gBTk

9) Ram Bam Bam - Michael Madhana Kama Rajan
Its interesting to note that Ram Bam Bam from Michael Madhana Kamarajan starts in a chromatic while singing the notes Ram Bam Bam (Pa Da1 Da2 or G A A#) Also there is a chromatic interlude when the trumpet plays chromatic notes from 01:26 to 01:30 and again at 01:35 the same is repeated at 01:41 (This again comes in the next interlude).
https://www.youtube.com/watch?v=AccocNTJSe4

10) Pon Maane Kobam Yeno - Oru Kaidhiyin Diary
in the 2nd interlude of Pon Maane , there seem to be chromatics in the humming from 02:48, the notes go Da2 Ni3 Ri1 Ri2 Ri1 ,Ri2 Ri1 , Da2 [Ga3 Ga2 Ri2 Ri1 -Chromatic]. Also there are chromatics appearing in the 1st interlude, check at 01:23 and again at the background there are chromatic passages from 01:24 to 01:33 where the notes go Ni2 Sa Ri1 Ri2 (repeat), Ga2 Ma1 Ma2 Pa (repeat). The notes are so complicating but the melody is just out of this world.
https://www.youtube.com/watch?v=oSFT_YVagL8

To Mom,With Love

There is a person who is the most important in my life.
She gave birth to me.
She does everything for me.
She will continue to do everything for me.

The word 'Mother' conveys so many different emotions apart from just being the person who has given you the existence in this world.
Mother's true value can never be expressed in words (Because the best is always yet to come :) I keep realising the true value more now since im staying alone )
Nobody can ever be as selfless as a mother

I can proudly and befittingly say despite how many ever efforts I take 'I can Never Ever Love my Mom,the way she loves me'.

On the occassion of Mother's Day I would like to dedicate this beautiful song in Kalyani Ragam to all the Mothers in this world.
Frankly speaking i dont believe in this concept of Mother's Day more so because a mother deserves to be celebrated every day of the year but still we dont always think about our mother(s) so atleast on this day we can reflect about our mother's immense contribution in our personal growth.

Now coming to the song,Kalyani is a Raga soaked in Divinity..
And there is nothing more divine in this world than a Mother

The song opens with the sounds of the temple bells and then the Veena takes over playing the notes Ni Sa Sa,Ni Sa Sa,Ni Sa Ri Ga Pa Ga Ri Sa Ni.From there its a nostalgic trip executed in the voice of KJ Yesudass set to Music by the Maestro.

The song employs a lot of Veena in fritters which is used to convey that extra which only a Mother can do.

And then the 2nd interlude where the Veena and Flute both co-exist in glorifying the Mother is Majestic.

This song is very emotional and close to my heart,reason being its about my most favouritest person in this world.
There can never be anything more pure and natural than Mother's Love.

Amma Endrazhaikkatha - Mannan

Remembering the Legend - Malaysia Vasudevan

As the Film Industry bemoans the sad demise of the great Malaysia Vasudevan(MV),its time to look back and go on a nostalgic trip paying homage to this wonderful man,his wide repertoire of songs and his diction over the Tamizh language.I have handpicked a few songs from his massive ouevre which are my personal favourites of MV and also which truly showcases his versatility.

Like the Trinity of Carnatic Music - Thiyagarajar,Dikshitar and Shyama Shastri and the woman trinity of Carnatic Music - MS Subbhalakshmi,D K Pattamal and ML Vasanthakumari,I firmly beleive MV rightfully earns his place in the trinity of Male Playback singing,the others obviously being SP Balasubramanian(SPB) and K J Yesudas(KJY).Though MV never really had the quantum of hits that his illustrious counterparts had,what defined MV was his uniqueness and enigmatic voice.Apart from the songs sung by SPB and KJY for Maestro Ilaiyaraja,there was another special category of songs which undoubtedly no one could do justice but the great MV.Songs characterized by resonance,mystiqueness,enigmaticness etc and MV perfectly enhanced the artistry of these numbers through his melifluous voice.

Now coming to my personal 10 favourite songs.

1)Song:Indha Minminikku
Film:Sigappu Rojakkal (1978)
MV and S Janaki(SJ) really freak out in this number.MV adding the perfect foil to SJ's humming/singing/laughing:),the chiaroscura is beautiful to witness and at the same time individually nonchalantly roaring through the entire song with his razor sharp vocals.Can anyone imagine this song was composed just 33 years ago?:).Well that truly explains the stuff of legends.


2)Song:Oru Thangarathathil
Film:Dharma Yudham (1979)
Here MV croons for the Superstar.Just when you hear the prelude,you can guess its a melodious number and Malaysia accentuates ir further with his soulful timbre laden voice.The old world charm and the profoundness is deeply visible.


3)Song:Kalangal Malai Kalangal
Film:Idhayathil Oru Idam (1980)
An outstanding composition unfortunately not heard by many.MV at his fervent best,the shrill in his voice especially in the pronounciation of 'Kal' is so captivating.The dulcet tone of SJ and the magnificient interludes,not to forget the unbelievable prelude which reaches a crescendo truly make this a stunner of a song.

P.S:Unfortunately there is no youtube link for this song,but you can hear this masterpiece on Thiraipaadal
http://www.thiraipaadal.com/album.php?ALBID=ALBIRR00213&lang=en

4)Song:Alli Thanda Bhoomy
Film:Nandu (1981)
No two words about this one,its an absolute gem.A song which evokes a feeling of transporting you to another world.You can just press the Repeat button and go to your dream world.Based in Pahadi Raag,the song reaches undizzying heights after the Pallavi with the alternation of the 2 Ma's Suddha Madhyam and Prati Madhyam and especially when Malaysia sings 'ilamai ninaivai isaikkum therukkal' where the Prati Madhyam tenderly kisses the Suddha Madhyam literally gives goosebumps.

Without Visuals,but much better clarity,check this


5)Song:Kodai Kala Katre
Film:Panneer Pushpangal (1981)
Well obviously! This is the song which epitomises Malaysia,the 1st song which comes to most people's mind when you think of MV.The nous with which he songs this song is so reposeful and calmness personified.The whole melange of MV'S easeness,the choral parts,the hypnotising Prelude,scale changes,soothing effect etc etc is undeniably sheer magic.


6)Song:Endrendrum Anandhame
Film:Kadal Meengal (1981)
MV well literally grooves,swings,rocks,zings,dances in this one.The Maestro plays around with Accoustics and Rhythms.Malaysia plays around with his voice.The result the listeners are treated to a sheer blissful experience.


7)Song:Poove Ilaya Poove
Film:Kozhi Koovuthu (1982)
Ilaya Malaysia at the forefront.A Raja song in Shankarabharanam,you can be rest assured that the song will be high on melodic content and obviously he doesn't disappoint.The Sangfroidness and control with which Malaysia goes about his job is amazing.It is wow to hear him sing Ennakku Thaane where he just gives that extra kick to his voice.

Without Visuals,but much better clarity,check this


8)Song:Aasai Nooruvagai
Film:Adutha Vaarisu (1983)
Another rocking super song this time for the Superstar.Foot tapping is too small a word to describe this Dance Number.The trio of Superstar,Maestro and Malaysia virtually structure an edifice.:)


9)Song:Poonkathu Thirumbumma
Film:Mudhal Mariyadhai (1985)
If you are including Kamal and Rajini songs,how could you leave the thespian Sivaji out?:) This gargantuan song won Malaysia accolades of encomiums and rightfully so.He clearly displays why this song in the folk and rustic genre is an arcane act to follow.


10)Song:Ennamma Kannu
Film:Mr Bharat (1986)
A fun song to end it.Malaysia juxtaposing with SPB in a duet and you are treated with full on entertainment.Its like a walk in the park for the 2 veterans but the efficacy with which they dish out this number is infectitious.The breezy bass entwines around the vocals and joins in the fun.A mere delight.


It was indeed a joy ride choosing the songs.A heady mix of Unknown and popular songs but each one embossed steeply with richness and brilliance!.
Malaysia Sir,hoping your subtle and tender voice will be heard for generations and generations to come !.

World Cup Razzmatazz !!

Finally the biggest cricketing event has dawned upon us,the ICC Cricket World Cup. After the acrimonius and most disappointing world cup last time at the carribean,this one promises to be anything but that and the expectations are soaring at an all time high.This also is beleived to be the most open World Cup since 1996.

One of the biggest disappointments for me personally in this edition is the format.It has returned to its old format of 1996 where there'll be quarter finals.The problem being one can take it extremely easy in Round 1 and thereafter win 3 matches and you are crowned world Champions.I would have ideally preferred only 3 teams qualifying from both groups and play a super six with each team playing the other 3 teams of the opposing group and then semifinals and then finals.It would have been competitive right from Day 1,now teams can afford to take it easy though momentum plays a big role.

So who are the favourites ??? The bookmakers,analysts and the people favour India.I do not discount their confidence one bit.India does look favourites,the only weakness being their fast bowling department more so accentuated due to Zaheer's fitness.They may be put to test in high octance clashes especially if they have to chase in a high pressure knockout situation.

The other joint favourites Sri Lanka have a small chink in their armour,there's a small hole in the lower middle order and im wondering how they'll cope up if the top order perishes soon in a must win encounter.

South Africa look a well balanced side but their habit of choking especially in world cups will haunt them and they'll do everything to put rest to the Chokers tag.They are not playing at home and so wont be daunted by home pressure and it is probably their best chance to win a 1st world cup title.

Australia are for once not going in as favourites despite being the defending champions but never underestimate the wounded tigers.They have a good pace quartet and they really thrive on tough situations and especially since its going to be 3 wins to the cup from the quarters stage,you would be a brave man to right away their chances.

Pakistan are the dark horses and probably the most dangerous team in this years mega event.You never know some unknown unheard of youngster may just unleash his potential at the biggest stage.The biggest strength of Pakistan is their mercuriality,sometimes its their biggest weakness also.The fact that they are not expected to do well might just bring out the best in them.

Frankly speaking,i expect only 1 of the above mentioned teams to be crowned the Champions when the world cup gets to its finale on 2nd Apr 2011.England i dont think muster enough to go all the way and expect them to fall in some pitway during the course of the event.The Windies are another team which can cause a flutter but they just lack the firepower to go all the way through.The Co-hosts Bangla Boys are expected to do pretty well and rightly so.It wont be surprising for me if they do make it to the last 8 but beyond that there is a Question Mark.The Kiwis had a pathetic record in 2010 and i expect that to continue.They are in shambles at the moment and barring one or two upsets i just dont see the potential in them to go all the way.

So whose it going to be ?? Will Ricky Ponting's magnificient run as Aussie World Cup Winning Captain come to an end ?? Will Pakis under the mercurrial leadership of Afridi show their mercuriality ?? Will Graeme Smith have the perfect swansong as ODI Captain and also get rid of the Choker's tag which has been plaguing them for years?? Will Sanga for SL go one better than his mate Mahela in 2007.??Will MS Dhoni and his team fulfill the desires and dreams of 1 Billion Indian Cricket Fans??
All the Q&A will be answered come,the 2nd of Apr 2011 at Wankhede Stadium,Mumbai.
As an avid cricket fan,expecting the World Cup to be enthralling,entertaining,emotional,enriching and edge of the seat !!

Impact of Ilaiyaraaja on the small screen !!

There have been a slew of musical based programmes which have gained immense popularity of late.Shows such as Airtel Super Singer,Hariyudan Naan,Ragamalika,Sangeetha Maha Yudham,Poorvika Little Superstars etc.In all these shows there is one common factor. One man's songs reigns supreme,One man's songs seems to dominate and that One Man is Maestro Ilaiyaraaja.

Infact i was just seeing an episode of Super Singer where they had recalled 5 eliminated girls who were given a final chance to show their prowess so that one of them can make it to the top 20 and all of them chose Ilaiyaraja's songs.As every girl was getting ready to sing i thought its gonna be a song from another MD and everytime i was happy to be proved wrong.Its but a known fact that IR'S songs are no joke and really help elevate your calibre(ie if you are a good singer:))
Also in Non Singing rounds i think it would be good to show interesting facts about the contestants likes and tastes in music and the reason for picking a song rather than showing them wear Make up and pose for the cameras.This is totally uncalled for in my humble opinion.:)

In Hariyudan Naan also songs of IR always seem to be donning the rounds but the sad part is the main judge Hariharan seems to have least knowledge about IR'S songs.It is kind of baffling that he seems to be unaware of such gems of Raja's. Also they had a round called Golden 80's where 95% of the songs were Raja's , the sad part is there were so many late 70's songs also picked up from movies such as 16 Vayathinile (1977),Priya(1978),Sigappu Rojakkal(1978)etc. If you are gonna name it as 80's rounds isnt it fair to just stick to that ??. What is the problem in naming the show Golden Hits of Ilaiyara as compared to Golden Hits of 80's??.Is it a crime to give credit to the composer ?? Unless the judges mention there's no mention at all about the composer which is sad :(.It also gives wrong info to the viewers that these songs were from the 80's when infact they are'nt.

In many websites and places ive seen IR wrongly credited for movies such as Varumaiyin Niram Sivappu,Apoorva Raagangal,Ninaithale Inikkum.They are such popular movies and its really unfair for both MSV and IR. People get info from so called trusted places and they also argue and vouch for it.I really have an issue with that.Its ok if its an unknown movie but definitely not for a film which is a popular one.

Ragamalika generally seems to be picking a hit music director/director combo or music director/actor combo and asking contestants to sing songs from the combo picked.For instance Ilaiyaraja/Bharathi Raja,Ilaiyaraja/Kamal Hassan etc.This is the only show where the viewers atleast get to know the composer of the song.

My main concern is why can't they display a small synopsis about the song such as the Name of the song,Film,Year,Music Director,Singers,Raga etc.It'll be educative value for those seeing the show and also if the song is great a small say about the intricacies of the song.This is where i appreciate the great SPB.Seldom has he refrained from not talking about a song and he also gives interesting background incidents.It was through him that we came to know how diffuclt the guitarist found it to play Ilaya Nila and the fact that it required 16 takes.All these info really gets you very participative and you look forward to the show.
My other concern is Why do the singers always choose popular songs??.There are so many hidden treasures and i was thinking this could be a great platform to unleash the brilliance of so many unheard songs of Maestro but alas they refuse to budge.

It is really nice to see so many musical shows on the small screen.But to sustain interest i beleive there should be a re-vamp in the structure in certain areas in order to continue having an impact.The sooner its done,the better.