𝐈𝐥𝐚𝐢𝐲𝐚𝐫𝐚𝐚𝐣𝐚 𝐒𝐲𝐦𝐩𝐡𝐨𝐧𝐲 - 𝐖𝐡𝐚𝐭 𝐰𝐚𝐬 𝐬𝐮𝐩𝐩𝐨𝐬𝐞𝐝 𝐭𝐨 𝐢𝐧 𝟏𝟗𝟗𝟑 𝐠𝐨𝐭 𝐮𝐧𝐫𝐚𝐯𝐞𝐥𝐞𝐝 𝐢𝐧 𝟐𝟎𝟐𝟓

There is no denying the fact that Maestro Ilaiyaraaja is the most complete music director ever witnessed in the annals of Indian cinema. He caters to the locals in equal measurability as he delivers to the elites. There is an Ilaiyaraaja song for every mood & emotion and truth be told, I just cannot imagine a life without his musical existence.

There is virtually nothing that has been untouched by the Maestro. There was a point in time when his fecundity was second to a distant none churning out as many as 30-50 soundtracks in a year with the entire albums being replete with gems aplenty. There have been multiple Diwali & Pongal releases with all the musical scores scored solely by him. I'm not even coming into the Background music part of it which is another area where he reigns supreme.

Apart from the plethora of soundtracks that he has composed along with also making heads turn through his non film albums such as 'How to Name it' and 'Nothing But Wind', Ilaiyaraaja started writing a symphony as early as 1993 with it being titled as Symphony #1. He was at that time conferred the title of being the first man from Asia to compose a full fledged symphony. However strangely that particular Symphony never saw the light of the day. Till today it is shrouded in controversy and there are various conspiracy theories at play. Let's not get into that as nobody knows the exact truth as to why it has been concealed to this very day.

With the 1993 Symphony being a closed chapter, Ilaiyaraaja continued his prowess in film music and he has only been growing from strength to strength exploring newer genres and also modifying his style with time. Of course, the general fandom always believes his work in the 80s is singularly the greatest period of musical excellence ever witnessed. When one thought that the Symphony was a done & dusted deal, there was an announcement that the Maestro was going to experiment with a symphony at the ripe old age of 80+ in 2025. Just the mere thought of it felt like defying gravity. Imagine sitting down and writing a full on symphony especially with his initial foray more than 30 years back ending up being a damp squib for whatever reason. There is never a question of 'never' for the Maestro.

A Symphony is an extended form of music written for an orchestra consisting of 4 movements. The first movement is said to be fast, brisk and lively setting the tone of the mood for the rest. The second movement is said to be slower and contrasting to the first. The third movement is said to be more dance-like providing the composer the opportunity to experiment and showcase his forte. The fourth and last movement is again quick like the first providing the high octane energy giving the final flurry to finish the ensemble. This is just from my layman understanding of what a symphony is meant to connote. I personally felt that Symphony music is something where you can rack your brains and play with imagery depicting beautiful things unfolding from a visual perspective. At least that's what I tried to do while listening to the pieces. The technical histrionics were a little way beyond my ken to be honest.

And voila listening to the Symphony unfolding Live was an absolutely wondrous experience. I could literally feel goosebumps as the music was playing along. There were portions where the music was running riot marching along in finesse fashion, some parts where the melody was slow but seeping through gliding movements highlighting the nuances in all its splendour. There were also dance like fast paced movements showing stamps of authority and many a time magical layers interspersed showcasing the crescendo reach it's peak and majestic tail pieces to finish in a grand flurry. It was like a motley of emotions as the music was gushing magnificently like waves across various layers. As a complete greenhorn when it comes to symphony music, all I can say is that I could both feel and sense that there was magic all around as I was absorbed and immersed in the captivating music. That was more than enough to sound a victorious thump for making my day extra special.

What astounds me about Maestro is how could someone at his well way past traditional retirement age be able to conceive and conceptualize ideas & thoughts as mesmerising as this. It just seems to defy logic on all counts. The Maestro mentioned that he had 6 major hurdles while composing the Symphony and it was all pertaining to influence which should never be coming in the way while composing the Symphony. One was his village & folk upbringing, second was his scores for film music, third being his re-recordings for film music, fourth was him being a Tamilian and ensuring that no local elements get touched in the music, fifth being Indian and nativity not being associated in the piece and sixth his influence with western & foreign music making sure that such inspiration does not seep into the writing of the symphony.

It is very easy to take inspiration especially for someone who has himself composed for over 1000 movies along with countless re-recording scores and being active in the industry for half a century. And despite that he wanted none of the influence to creep in and be absolutely unique and solidified to the true nature of a symphonic piece of art. He wrote the entire symphony in a span of 35 days with individual separate pieces for the 87 orchestra ensemble. The result was simply bewilderment at least from my lens. Even from Raaja's own lofty standards, this certainly felt like a gargantuan piece of orchestral brilliance.

The programme was not just about the symphony as we were also treated to sumptuous sweeteners in the form of old Raaja classics such as Amudhe Thamizhe (sung by the man himself), Madai Thirandhu, Rakkamma Kaiya Thattu, Senthoora Poove, Andhi Mazhai, Chinna Thai Aval, Unnai Nanechu, Oru Kili Urugudhu, Raja Kaiya Vacha, Ponvanam Paneer Thoovudhu, Kadhalin Deepam Ondru, Margao Margao, 3 note song, Kanne Kalaimaane and even an exposition on Schubert's symphony with Raaja singing Idhayam Pogudhe. For a change Raaja finished proceedings by singing Janani Janani which has traditionally always been the opening invoker. Raaja's long term allies Rajinikanth & Kamal Hassan were both at the centerstage and were beaming about their musical friends brilliance. It was also gracious of the current CM Stalin who made an appeal to the Central Government to confer Maestro with the highest honour of 'Bharat Ratna'. Raaja himself while speaking was overcome with emotion at the appreciation received and mentioned that he was scrambling for the right words. Maestro did mention that such a symphony music should reach a wider audience and get more people to hear it.

My major grouse with the show was mainly the crowd who were more interested in tinkering around with their phones and moving around aimlessly especially when the symphony music was playing along. I wonder if it was way beyond their league but it generally felt like they were more interested in just listening to the tried & tested Raaja classics than being engaged in the divine orchestral music which was simply spellbinding. Also it appeared that Nehru Indoor Stadium doesn't really have the acoustics in place for a symphony concert of this magnitude. I believe it wasn't well suited and a more closed chamber would have been ideal for listening to this kind of music in all its precision. Nevertheless for me this was a mesmerising experience and I thank my stars for having got this opportunity to attend this history making symphony concert at the last minute. The man, the master, the mystery of Maestro Ilaiyaraaja continues to enthrall and spook beyond imagination. All hail the supernal cyborg octogenarian.

#Maestro #Ilaiyaraaja #Valiant #Symphony #ilaiyaraaja50 #KamalHaasan #Rajinikanth

Nostalgic Memories of Stepping Stones in Professional Career!

This date from 18 years afar on 10th Sep 2007 evokes really significant memories as I embarked on my professional career with Price Waterhouse as an article assistant with M/s Lovelock & Lewes in accordance under the Chartered Accountants Regulations Act of 1949. It is pretty special as it was the first ever experience of working anywhere and also earning your first ever buck. I recall my first stipend received of Rs 4900/- (7000*21/30) credited to HSBC Bank, R K Salai branch with no TDS deducted as yearly salary back then was under the minimum threshold slab of Rs 1,00,000😀. I also know for a fact that I had pizza for lunch at the Pizza Corner Nungambakkam outlet with couple of fellow article-ship mates on that memorable Monday from donkeys years ago😋.

It was my only stint with Audit in life but nascent memories always stay close to your heart. PwC has moved so many offices within Chennai since then but there'll always be a soft corner for that particular space located on:
#32, Khader Nawaz Khan Road, Nungambakkam, Chennai, Tamil Nadu 600 006, Phone 044 42285000

It's pretty insane to think that 18 years has just flown like a dream. As I ended my foray with this illustrious organisation back then in 2010, I penned a limerick on my last day expressing my sincere thanks to the folks that I worked with in an "AABBA" style as follows:

As I step into the twilight,
Experiences to remember till the end of my light,
Its you the people who've made it really possible,
By making this journey of mine truly memorable,
Thanks a ton for making my light shine bright !:)

Gosh, time flies but the memories linger forever!

Damu's Heritage Dine - A unique culinary experience!

To be honest, our over all dining experience at Arunachal Pradesh was nothing much to write home about. That was until we came across Damu's heritage dining which kind of blew us apart. This indigenous dine in housed almost in the middle of nowhere nestled somewhere along the interiors of the charming Chug Valley simply won our heart's over.

This fine dining restaurant prides on artisanal Monpa cuisine which is largely cultivated in house and consists of a pastiche of items made from millet, barley, buckwheat et al. The food is served as a set course meal and for once being vegetarian didn't make you feel out of place. The food tasted fresh and felt totally organic. The ambience gave a very radiant and colourful swirl. It was a boutique style restaurant housed across 2 floors with one of the floors making you witness the fresh greenery at the outset whereas the upper floor had a better design but was within a closed frontier.

We chose the open green space and began our foray with an item termed as 'Phursingh Gombu' which is a traditional dish made from corn flour dough shaped like tartlets with a juciy black lacquer overflowing over it. The black liquid tasted a bit bizarre but felt very unique and kind of medicinal. I guess you need to get acquired to such a taste but nevertheless it was quite an experience.

Next up we devoured a delightful green soup made up of tonnes of herbs where we could literally see swoons of those greeny leaves engulfing our liquid soup. This one felt extremely soothing and comforting being so rich in taste. On the main course section we also got to try a noodles made out of buckwheat. It almost appeared like being crusty on the outset but was anything but that. It was flavourful and went well with the accompanying salad.

The 2 dishes which were outright standouts happened to be the millet based momos and the green leafy tacos submerged with kidney beans aplenty. Both these were simply lip smacking awesome and felt so nice on the palette. The spinach effect pulverised it to a notch high above everything else.

We were also served rice which appeared a little thicker than normal which went well with the kidney bean lentil gravy. We were given a similar version of the rice as a sweet laced with a touch of jaggery. Apart from this we also had a shot of millet based pancake with sweeteners dolloped on top.

More than the taste of the food, this fine dining escapade was more to do with the experience which just hit home and felt so comforting and heart warming. We were taken care of magnificently well and explained about the finer points of each and every dish along with also knowing about the history and tradition of such a cuisine. On the whole it was a delectable experience which one should not miss especially when traversing across this neck of the woods.

Mudakaratha Modakam - Birthday Greetings to the Universal Elephant God!

For some he is "Vinayak", for others he is "Ganapathy", for few he is "Ganesh", in our neck of the woods he is revered as "பிள்ளையார்" / "Pillayar" and for young children he is the defacto default "Ummachi"

They call him through 108 different names and he manifests himself in 32 different forms. He is the universal God of every Hindu household and holds a special place in everyone's heart. His presence is simply impossible to miss with his elephant head & pot belly standing out unanimously. He is always there at your beck & call physically within your framework and if not be rest assured that mentally he'll be deeply entrenched right at the core of your soul.

He is the eternal beginner for invoking any task and also the perennial finisher for completing any activity. He is also the permanent remover of obstacles along with being the provider of intelligence and granter of good luck. Beyond everything he is the supreme immortal Moksha benefactor.

In the Panchang, he is affiliated with 'Chaturthi' Tithi with his special birthday being celebrated on the 4th waxing phase of Bhadrapada Lunar month. He has a specialty with 'Buddha' Vara (Wednesday) being the harbinger of intelligence which is a predominant Mercurian trait. He has a form associated with every star but is said to be specially associated with 'Uttara Ashada (Uthiradam)' Nakshatra as it's believed to be the star of universality and linked with the symbol of elephant tusk. He is also connected with 'Garaja' Karana signifying the animal of elephant & memory power and he also governs 'Siddhi' Yoga being the divine bestower of success.

As a miniscule tribute on his special day, attempted the first stanza of Ganesh Pancharatnam hymn viz "Mudakaratha Modakkam" composed by Adi Shankaracharya set to tune in the divinely blissful Hamsadhwani Raga. This stanza describes the Lord gleefully & joyously holding the Modak (Kozhukkatai sweet) in his hand and blessing his devotees. May he cast his auspicious glance and gregarious nature on every single being on planet Earth. Happy B'day to the universal Elephant God.

An Ode to Lord Sri Krishna!

There is simply nobody like Lord Krishna who is the ultimate universal unique leela manifesting form of divinity that has ever graced human kind. Not a single super hero in the history of mankind can hold a candle in front of Krishna. The way he transforms himself according to the prevailing undertone makes you wonder with awe about the divine persona that he possesses. He is the eternal lover, the evergreen charmer, the miracle maker, life provider, form multiplier, power enhancer, size changer, high flier, master strategist, astute philosopher, dutiful teacher, wisdom spreader, supreme protector, problem solver, Mukti deliverer all rolled into one.

As the world celebrates Lord Krishna on his 5252nd Birthday during this Aadi Maasa Krishna Ashtami (16th Aug 2025), this is a small ode from my side to the magnificence of majesty that is the mesmerising Lord Sri Krishna. Took a stab at a few instrumental bits of 4 delightful Krishna based bhajans viz

1) Adharam Madharam

2) Achutam Kesavam

3) Sri Krishna Govinda Hare Murare

4) Hare Krishna Hare Rama Chant

'Adharam Madhuram' is a recent favorite and I've lapped on to this ear worm ever since I gave it a listen just around a month back. It's a nectar filled sweetheart that makes you drool over. 'Achutam Kesavam' has that lilt factor going all over it. One of the most sought after Krishna bhajans one could ever think of. 'Sri Krishna Govinda Hare Murare' is another mellifluous number set to tune in Pahadi Ragam. I especially adore the alternate usage of the 2 Madhyamams which elevates this tune to exceptional heights. Coming to the 'Hare Krishna Chanting', I reckon there are a number of versions but I've chosen this one which has an energetic zest to it. This is also sung in many Iskcons to get the adrenalin pumping and keep the crowd on their feet.

May the all conquering all encompassing all pervading force of Lord Krishna continue to enthral, entrance & entangle by sweeping generations of lifetimes and histories to come in future. Happy 5252nd Solar Return Dear Lord Krishna🪈. 

The ways of the Divine - Sri Rangam Calling!🛕

There is something intrinsically sacrosanct about last minute plans especially when invoking the divine. Our decision to go to Sri Rangam was impromptu and took place at the eleventh hour. Now looking at it in hindsight, it was certainly one of the best decisions ever made as the Lord arranged everything for us at his own accord which we savoured to our heart's content. 

Even though a thought had been looming to visit Sri Rangam for almost a week, the action to eventually go was implanted only around the early hours of the evening when we boarded the bus and decided to walk the tightrope. The divine was calling and we just followed its ways and everything crystallised as per his beck & call. We reached Sri Rangam in the wee hours of the morning on 10th Aug 2025 without having an accommodation and he just magically led us to stay at a comfortable place within striking distance of the iconic Sri Ranganatha Swamy Temple. No amount of planning would have ever resulted in getting us a place in the proximity of a sanctorum circulating the pure air of divinity around for us to breathe and get purified.

Appended below is the list of temples that were visited in and around Sri Rangam (Trichy) on 10th & 11th August 2025

Divya Desams:
1) Sri Ranganathaswamy Temple, Sri Rangam
2) Sri Purushottaman Perumal Temple (Uthamar Kovil), Thirukkarambanoor
3) Sri Appakudathan Perumal Temple, Thirupper Nagar
4) Sri Vadivazhagiya Nambi Perumal Temple, Thiru Anbil
5) Sri Pundarikakshan Perumal Temple, Thiruvellarai

Pancha Bhoota Element: (Water)

6) Jambukeshwarar Temple, Thiruvanaikaval

Amman:
7) Arulmigu Mariamman Temple, Samayapuram

Krishna:
8) Sri Chaitanya Mahaprabhu Footprints, Sri Rangam
9) Sri Jagannath Mutt, Sri Rangam

Divya Desam: 
Divya Desams are special 108 temples of Lord Vishnu and his consort Lakshmi which have been mentioned in the works of the 12 Alwars (Poet Saints of Vishnu) who are known for their meticulous devotion having compiled the Divya Prabandham consisting of 4000 verses. Out of 108, only 106 are in the physical realm belonging in Planet Earth with 105 of these located in India and the one located outside India happens to be at Saligramam in Nepal. The two Divya Desams not located on Earth happen to be Kshira Sagara - the divine ocean in Heaven and Vaikunta - the heavenly abode of Vishnu & Lakshmi. Out of the total 108 Divya Desams, 6 of them happen to be around theTrichy border.

We managed to cover 5 of these 6 having our base location just about a stone's throw away from the magnificent Sri Ranganatha Swamy Temple. Listed below are brief insights on the 5 Divya Desams that were covered during our yatra.

Sri Ranganathaswamy Temple, Sri Rangam
This is a dazzling architectural marvel alluring in form and glittering in structure. It is considered as one of the foremost Vaishnava temple. It is the numero-uno in the list of the 108 Divya Desam temples and thronged by people all over the globe with it being listed as the largest functioning Hindu temple in the world. The temple tower known as Gopuram in Srirangam is termed as the "Raja Gopuram" and is said to be the largest Gopuram in the whole of Asia. Sri Rangam hosts tonnes of deities across Hindu mythology with the main deity being Lord Ranganatha, a reclining form of Vishnu. He is seen along with his primary consort Ranganayaki and two secondary consorts besides to the left & right of her viz Bhu Devi and Nila Devi. The most interesting fact about Sri Rangam temple is that it would not even have seen the light of the day. As legend goes, it is believed that this deity rose from the Ocean (Paarkadal) as a result of Brahma’s penance after which Ikshvaku, a descendant king of the Sun God (Surya), brought this idol to his capital in Ayodhya. This was then handed over to Lord Rama who is said to have received the idol by way of inheritance and worshipped it with great reverence. He had then requested Vibheeshana, the brother of Ravana, to install this deity in Sri Lanka with instructions to not rest the idol elsewhere. Vibheeshana, being a devout Brahmin, performed daily rituals at dusk and dawn every day. It so happened that he could not return to Lanka before sunset and set the deity down before commencing his evening ritual. It is then inferred that the idol bonded to the soil of the earth and could not be displaced by anybody and from then on it has stayed put right here in our very own Sri Rangam. The best way to worship the idols at Sri Ranganatha Swamy Temple is by taking all the time in the world by traversing through the acres of land consisting of towers aplenty with multitude of shrines. One should definitely ensure not to miss the Ramanuja Shrine (Udayavar Sannidhi) where the mortal remains of the holy saint is preserved to this day using natural substances such as sandalwood and saffron. Ramanujacharya was said to be born in 1017 and died at the ripe age of 120 in 1137. Since then for the last 888 years as of 2025, his soul has remained still intact in a seated position. Application of camphor & vermilion on his body twice a year gives his holy presence an ochre (orangish yellow brown) tint. It is gravity defying and has to be seen to be believed.
Divya Desam # - 1
Vishnu Name - Ranganatha Perumal
Lakshmi Name - Ranganayaki Thayar

Sri Purushottaman Perumal Temple (Uthamar Kovil), Thirukkarambanoor

This is a rare Vaishnava temple dedicated to the Trimurtis of Hinduism viz Lord Vishnu - the preserver of the universe, Lord Shiva - the destroyer of the universe and Lord Brahma - the creator of the universe. This is 3rd on the list of the Divya Desams. The God Vishnu here also is in reclining form and termed as Sri Purushottaman Perumal and his consort goes by the name of Poornavali Thayar. It is also known as Bhikshandar Kovil as Lord Shiva was relieved of his doshas. This temple also talks about husband & wife living in unity and understanding termed as "Uthamba" meaning best, so it also came to be known as Uthamar Kovil. Lord Vishnu is said to have emerged as a Kadamba tree to test the devotion of Lord Bramma and hence this place also goes by the name of Kadhambanur or Karambanur.

Divya Desam # - 3

Vishnu Name - Purushottaman Perumal

Lakshmi Name - Poornavali Thayar

Sri Appakudathan Perumal Temple, Thirupper Nagar

The name of the Vishnu God here is Sri Appakkudathaan Perumal again seen in a sleeping posture and he is seen with his consort Sri Kamalavalli Thayar. This is 6th on the list of the Divya Desams. The temple is one of the five Pancharanga Kshetrams, a group of five Hindu temples on the banks of the River Kaveri. Appam is a popular sweet dish prepared here in the temple daily as Neivedya and legend has it that Perumal got the name as Appakudathan since he received a pot of Appam from King Upamanyu.

Divya Desam # - 6

Vishnu Name - Appakudathan Perumal

Lakshmi Name - Kamalavalli Thayar

Sri Vadivazhagiya Nambi Perumal Temple, Thiru Anbil

This is another Vishnu seen in a reclining avatar and here he goes by the name of Sundara Raja Perumal and the Goddess is referred to as Sri Sundaravalli Thayar. This temple comes as the 5th of the Divya Desams. Vadiva Azhagiya or Sundara means "Beautiful" and it is believed that Lord Vishnu came as a handsome young man in front of Lord Brahma and mentioned that his physical appearance is just temporary and one has to be good at heart.

Divya Desam # - 5

Vishnu Name - Sundararaja Perumal

Lakshmi Name - Sundaravalli Thayar

Sri Pundarikakshan Perumal Temple, Thiruvellarai

The God Vishnu goes by the name of Pundarikakshan and the Goddess name is Pankajavalli Thayar. This is 4th on the list of Divya Desams. 'Pundari' denotes beautiful eyes and the Lord is said to be possessing enchanting eyes. Here, you would see Lord Vishnu in a standing posture with the Sun and Moon spanning the Lord on left & right and seated along on both sides are Markandeya Rishi and Bhooma Devi doing penance for the world. In this temple you would also witness Garuda in standing posture and Adishesha in a Manly avatar. This temple is said to be built by Sibi Chakravarthy.

Divya Desam # - 3

Vishnu Name - Pundarikaksha Perumal

Lakshmi Name - Pankajavalli Thayar

Pancha Bhoota Sthala

Pancha Bhoota Sthalam refers to 5 temples designated to Lord Shiva pertaining to the 5 primordial elements of nature viz Earth, Water, Fire, Air and Ether. From the name it can be figured out that Pancha means "5", Bhoota refers to "element" and Sthala denotes "place". All these temples are located in South India with 4 of them being in Tamil Nadu (Earth, Water, Fire & Ether) and the remaining one representing Air element located in Andhra Pradesh. The 5 Pancha Sthalas are as listed below:

Earth - Ekambareshwar Temple - Kanchipuram - Tamil Nadu

Water - Jambukeshwarar Temple - Trichy - Tamil Nadu

Fire - Annamalaiyar Temple - Tiruvannamalai - Tamil Nadu

Air - Sri Kalahasti Temple - Kalahasti - Andhra Pradesh

Ether - Thillai Natarajar Temple - Chidambaram - Tamil Nadu

Jambukeshwarar Temple, Thiruvanaikaval

During our visit to Trichy, we got an opportunity to visit the magnificent Jambukeshwarar Temple dedicated to the Water element. 'Water' is often referred to as the universal solvent and has a major bearing to do with one's personal emotions, feelings, intuitions and flow of creativity. Hence it was a blessing to worship at this temple. Also this temple is said to be associated with Pooradam or Poorva Ashada Nakshatra because its Devata is said to be Apah - The God of Water. The main deities here are Shiva who goes by the name "Jambukeshwara" and his consort Parvathi who takes the name of "Akilandeshwari". Legend has it that the sanctum of Jambukeswara has an underground water stream which in spite of pumping water out is always filled with water. The folklore goes like Parvathi mocking Shiva for his deep penance for which Shiva condemns her act and sends her to Earth in order to do penance. Goddess Akilandeshwari realising her folly is believed to have performed penance to atone her mistake. It is said that she found the Jambu forest (Thiruvanaikoil) to conduct her penance and made a lingam out of the water from river Kaveri under the Venn Naaval tree and commenced her worship. The lingam is said to be known as Appu Lingam.

Nature Element  - Water

Shiva Name - Jambukeshwara

Parvathi Name - Akilandeshwari

Arulmigu Mariamman Temple, Samayapuram

Apart from all the homage towards Lord Vishnu & the Divya Desams and also visiting the Shiva water element temple, we were also fortunate to receive honourable Mariamma's blessings showered upon us at Samayapuram. It was a massive temple that was packed to the rafters. We bought the necessary essentials to gift her such as flowers, a pair of eyes stickers (known to cure eye related issues), a Thali charadu (yellow thread) and waded through the long queue to get a magical glimpse of her. The aura around the sanctum felt very energetic with a powerful vibe prevalent throughout. The deity Mariamman is said to be a supreme form of Kali//Durga/Adi Shakthi and made of sand, clay and medicinal herbs unlike many of the traditional stone idols.

Sri Chaitanya Mahaprabhu Footprints, Sri Rangam

The blessings continued to pour thanks largely to my blessed friend who being a supreme Krishna Bhakt, whose bonding towards the Lord has no bounds and is unconditionally pure insisted on visiting the abode of Chaitanya Mahaprabhu who was an ardent devotee of Lord Krishna during the late 15th and early 16th century. That was like the harbinger for many superlative things to follow. The Pujari there who had been maintaining this small shrine regaled us with stories glorifying on the Lord and he was also instrumental in accompanying and giving us interesting anecdotes during our visit to few of the Divya Desams. Got to learn more about the legend of Chaitanya Mahaprabhu from both my friend and the Pujari along with also receiving an English translated copy of the Bhagawad Gita which felt very gratifying. It is believed that Chaitanya Mahaprabhu who is strongly considered to be Krishna himself laid his footprints on the holy town of Sri Rangam spending 4 months over there in the year 1510 where he observed Chaturmasya Vrata on the banks of the River Kaveri.

Sri Jagannath Mutt, Sri Rangam

Through our conversation with the Pujari at the Chaitanya Mahaprabhu shrine, one thing led to another and we also received the information of a Jagannath Mutt being located nearby at North Chitrai street by the side of Sri Rangam temple paying obeisance to Lord Jagannath. This place also gained extra prominence and propitiousness when we heard that this was the very same place where Mahaprabhu actually spent his time in Srirangam over 500 years back in 1510. There was no way we could miss this and hence decided to pay our reverence at this holy habitat too.

On the whole it was a momentous, memorable and mystical Mandir yatra. We covered plethora of temples over our 2 day stay and the best part of the whole visit was that nothing at all appeared rushed. It was not just us but even the holy idols which we carried in the form of 'Adishesha' and 'Anantha' also obtained boundless blessings. We got all the time to wing our way through, soak in, immerse and feel the divine in all it's splendour without ever thinking about the time at hand. It felt like as if the divine personally accompanied us everywhere making all the necessary arrangements along the way. We just went with the flow with almost every single decision taken just at that opportune moment and it paved the way for us to get enshrined with majestic blessings all the way through his divine enclosures.

P.S: Please note that majority of the pictures and selective capsules of information pertaining to the history, lineage & culture of the temples have been sourced from the net. Credits to the original sharers and outlets.

The Divinity Emanating from the Nakshatras!🌟

                            

An ocean of information is hidden underneath the layers of Nakshatras. It's astounding to even fathom the amount of knowledge that is woven around the stars. Apart from Nakshatras being prominent in the South of India especially when it comes to performing Abhishek for God, even from an astrological parlance it opens the door to a whole new realm of data pointers that can be so evocative.

This article is largely focused on the divine element interspersed within the Nakshatras. The Nakshatras are basically a bunch of stars forming a pattern within the 360° zodiac and are said to be divided into 27 numbers beginning from Ashwini located in the first zodiac sign of Aries to Revathi which is placed in the twelfth and final zodiac sign of Pisces. There is however a view point also of the Nakshatra cycle beginning from Krithika which connotes the 'Head' till Bharani which signifies the 'end of life' as it's ruled by Lord 'Yama'. However for all practical purposes it makes sense to follow the order from Ashwini to Revathi for ease of use and counting purposes.

There is a lot of spiritual information intertwined within the stars. When it comes to the Nakshatras, it's the Nakshatra occupied by the Moon that is primary and considered sacrosanct. The whole 'Tara' sequence originates based on which Nakshatra the Moon is placed in one's birth horoscope. The planet Moon after all is the imprint and denotes the signification of the mind. It governs our thoughts, emotions and actions. Moon is the Body that nurtures us and instils a feeling of care, longing and sensitivity. It also has an element of freewill and there is a popular tamil saying that goes "விதியை மதியால் வெல்லலாம்" or "Vidhiyai Madhiyaal Vellalaam" which translates as what cannot be overcome by destiny can be won over by one's mind (Moon). Even from the tutelage of a Horoscope, two of the most important timing events viz Dasa Bukthi which expounds the sequence of important time periods and Transits which are the planets circulating signs currently in operation within the zodiac is reckoned mainly from the Moon. Having established this framework, let's go about seeing how it needs to be played out.

First up sharing all the divine enclosures incorporated within each Nakshatra such as the Deity, God to worship, birth star temples, Siddhar or Rishi to take obeisance, form of Ganapathy, associated Bhairava, connected Mantra, offering (Dhanyam), type of Abhishekham etc. After the listing of this information, we will take a look at how best one can invoke the divine having been born in a particular Nakshatra with a specific illustration and also look at the Navatara sequence to understand the results provided by each of the 27 Tara's.

Divine Results for 27 Nakshatras

1) Ashwini

Devata: Ashwini Kumars - Physicians to the Gods

Adi Devata: Saraswati (Any God related to healing, learning can be considered)

Rishi: Marici
Siddhar: Kalanginathar

Ganapathy: Dvija Ganapathy
Bhairava: Nyana Bhairava

Temple: Piravi Marundeeswarar in Tiruthuraipoondi

Abhishekam: Sandhana Kappu (Sandalwood Paste)

Dhanyam: Manjal Sadham (Yellow Rice/Lemon Rice) 

Mantra: Om Am Am

2) Bharani

Devata: Yama - God of Death or Dharma

Adi Devata: Durga (Any God of justice like Kali, Amman can also be considered. This is also said to be the birth star of Navagraha Rahu)

Rishi: Vasishta

Siddhar: Bhogar

Ganapathy: Siddhi Ganapathy
Bhairava: Maha Bhairava

Temple: Agneeswarar in Nalladai

Abhishekam: Pachcha Arisi (Raw Rice)

Dhanyam: Nelli Oorga, Nelli Podi Sadham (Gooseberry Pickle/Gooseberry Powder Rice) 

Mantra: Om Im Im

3) Karthigai / Krithika

Devata: Agni - God of Fire

Adi Devata: Agni (Any God of Fire like Agneeshwarar or Annamalaiyar can be considered, Karthikeya worship is also auspicious for this Nakshatra) 

Rishi: Angiras

Siddhar: Romarishi
Ganapathy: Uchhista Ganapathy

Bhairava: Swarna Bhairava

Temple: Gaathra Sundareswarar in Kanjanagaram

Abhishekam: Nelikkai Podi (Gooseberry Powder)

Dhanyam: Vazha Kuzhambu Sadham (Banana Flower Rice) 

Mantra: Om Um Um

4) Rohini

Devata: Brahma/Prajapati - The Creator  

Adi Devata: Sri Krishna (Any powerful Leela manifesting God or form of Krishna like Jagannath can also be considered)  

Rishi: Atri

Siddhar: Machamuni
Ganapathy: Vigna Ganapathy

Bhairava: Kala Bhairava

Temple: Sri Pandava Dhoodha Perumal in Kancheepuram

Abhishekam: Manjal Podi (Yellow Powder)

Dhanyam: Thayir Sadham (Curd Rice) 

Mantra: Om Rm Rm Rm Rm

5) Mrigaseerisham / Mrigashira

Devata: Soma/Chandra - The Moon God

Adi Devata: Chandran (Any Shiva God in Moon form like Chandra Sudeshwarar or Chandra Mouleeswar can be considered. This is also said to be the birth star of Navagraha Moon (Chandran)) 

Rishi: Pulastya

Siddhar: Pambatti & Sattaimuni
Ganapathy: Kshipra Ganapathy

Bhairava: Ksetrabala Bhairava

Temple: Aadhi Narayana Perumal in Enkan

Abhishekam: Vasanadhi Dravyangal (Perfumed Items Mixed Powder)

Dhanyam: Paruppu Sadham (Dal Rice) 

Mantra: Om Em

6) Thiruvadirai / Aarudra

Devata: Rudra - The Storm God

Adi Devata: Shiva (Any Shiva God in a hardcore form such as Nataraja Shiva, Rudra, Shiva Linga can be considered)

Rishi: Pulaha

Siddhar: Idaikadhar
Ganapathy: Heramba Ganapathy

Bhairava: Vaduga Bhairava

Temple: Abhaya Varadeeswarar in Athirampattinam

Abhishekam: Panja Kaviyam (Five Cow Derivatives)

Dhanyam: Kamangali Koozh (Porridge) 

Mantra: Om Aim

7) Punarpoosam / Punarvasu

Devata: Aditi - Mother of the Gods (12 Adityas)

Adi Devata: Sri Rama (Any God representing motherly love such as the Holy Mother can also be invoked)

Rishi: Kratu

Siddhar: Dhanvantri

Ganapathy: Lakshmi Ganapathy
Bhairava: Vijaya Bhairava

Temple: Athitheeswarar in Vaniyambadi

Abhishekam: Panjamritam (Five Food Mixture)

Dhanyam: Paal Sadham (Milk Rice) 

Mantra: Om Aum

8) Poosam / Pushya

Devata: Brihaspati - Priest of the Gods

Adi Devata: Guru (Any God in a Guru form like Dhakshinamurthy, Raghavendra, Guruvayurappa, Saibaba can also be considered. This is also said to be the birth star of Navagraha Jupiter (Guru))  

Rishi: Marici

Siddhar: Kamalamuni

Ganapathy: Maha Ganapathy
Bhairava: Aasina Bhairava

Temple: Akshayapureeswarar in Vilankulam

Abhishekam: Palamritam Maa Palaa Vazhai (Mango, Jackfruit, Banana)

Dhanyam: Sambar Sadham (Sambar Rice) 

Mantra: Om Kam

9) Aayilyam / Ashlesha

Devata: Nagas/Sarpa - The Snake God

Adi Devata: Adiseshan (Any God in snake form like Nagamman can also be considered. This is also said to be the birth star of Navagraha Ketu))

Rishi: Vasishta

Siddhar: Agathiyar
Ganapathy: Vijaya Ganapathy

Bhairava: Pathala Bhairava

Temple: Karkadeswarar in Thirunandudevankudi

Abhishekam: Pasum Pal (Cows Milk)

Dhanyam: Mor Kuzhambu (Butter Gravy)

Mantra: Om Kham Gam

10) Magam / Magha

Devata: Pitris - The Forefathers and Ancestors

Adi Devata: Shukra (Any God invoking Kula Deiva or Pitrus such as visiting Rameshwaram temple can also be auspicious for this Nakshatra)

Rishi: Angiras

Siddhar: Sivavaakiyar

Ganapathy: Nritya Ganapathy
Bhairava: Naradhana Bhairava

Temple: Mahalingeswarar in Thavasimadai

Abhishekam: Pasu Neyi (Cows Ghee)

Dhanyam: Keerai Kuzhambu (Spinach Gravy)

Mantra: Om Gham Nam

11) Pooram / Poorva Phalguni

Devata: Aryaman - God Of Patronage And Favours

Adi Devata: Parvathi (God of favours such as Andal Devi can also be worshipped)

Rishi: Atri

Siddhar: Ramadevar

Ganapathy: Urdhva Ganapathy
Bhairava: Kottai Bhairava

Temple: Hari Theertheswarar in Thiruvarangulam

Abhishekam: Pasum Pal Thayir (Cows Milk Yoghurt)

Dhanyam: Pazha Pazham Payasam (Jackfruit Kheer)

Mantra: Om Cam

12) Uthiram / Uttara Phalguni

Devata: Bhaga - God of Bliss and Prosperity

Adi Devata: Sastha (In similar lines, Ayyappa and Ayyanar can also be worshipped)

Rishi: Pulastya

Siddhar: Kagabujandar

Ganapathy: Ekakshara Ganapathy
Bhairava: Jadamandala Bhairava

Temple: Karkadeswarar in Thirunandudevankudi

Abhishekam: Then Kalkandu (Honey, Sugar Crystals)

Dhanyam: Puliyogare (Tamarind Rice)

Mantra: Om Cham

13) Hastham / Hastha

Devata: Savitar - The Sun God

Adi Devata: Suriyan or Aadhavan (Any solar God like Surya Narayana can be worshipped, Gayatri Devi who is an aspect of Saraswati, Lakshmi and Parvati is also taken into account for this Nakshatra. This is also said to be the birth star of Navagraha Sun (Suriyan))

Rishi: Pulaha

Siddhar: Karuvurar

Ganapathy: Vara Ganapathy
Bhairava: Yoga Bhairava

Temple: Karkadeswarar in Thirunandudevankudi

Abhishekam: Then (Honey)

Dhanyam: Thengai Sadham (Coconut Rice)

Mantra: Om Jam Jham Nam

14) Chithirai / Chitra

Devata: Tvastar - The God of Creative Power

Adi Devata: Vishwakarma (The Sudarshan chakra embodying deity Chakrathalwar can be considered for worship and so is Ma Kamakshi)

Rishi: Kratu

Siddhar: Punnakeeshar

Ganapathy: Tryakshara Ganapathy
Bhairava: Chakra Bhairava

Temple: Karkadeswarar in Thirunandudevankudi

Abhishekam: Karumbu Saaru (Sugarcane Juice)

Dhanyam: Chakra Pongal (Sweet Pongal)

Mantra: Om Tam Tham

15) Swathi

Devata: Vayu - The Wind God

Adi Devata: Mahalakshmi (It is said that invoking Lord Narasimha is also vital for this Nakshatra)

Rishi: Marici

Siddhar: Pulipani

Ganapathy: Kshipra Prasada Ganapathy
Bhairava: Jadamuni Bhairava

Temple: Karkadeswarar in Thirunandudevankudi

Abhishekam: Elumiccai Pala Saaru (Lime Juice)

Dhanyam: Paruppu Podi Sadham (Dal Powder Rice)

Mantra: Om Dam

16) Visagam / Vishakha

Devata: Indragni - The Chief of the Gods of Fire

Adi Devata: Subrahmanya (All forms of Subramanya be it Muruga, Karthikeya, Velavan, Kumaran etc can be considered)

Rishi: Vasishta

Siddhar: Nandeesar & Kudambai

Ganapathy: Haridra Ganapathy
Bhairava: Kottai Bhairava

Temple: Karkadeswarar in Thirunandudevankudi

Abhishekam: Neyi Kalandha Porul (Items mixed with Ghee)

Dhanyam: Karugapillai Podi Sadham (Curry Leaves Powder Rice)

Mantra: Om Dham Nam

17) Anusham / Anuradha

Devata: Mitra - The God of Friendship

Adi Devata: Vayu (This Nakshatra represents the symbol of lotus, hence worshipping Lakshmi Narayan - the dual representation of Narayan & his consort Lakshmi seated on a lotus can be considered. This also happens to be the birth Nakshatra of Maha Periyava)

Rishi: Angiras

Siddhar: Valmiki

Ganapathy: Ekadanta Ganapathy
Bhairava: Swarna Bhairava

Temple: Karkadeswarar in Thirunandudevankudi

Abhishekam: Elaneeru (Tender Coconut)

Dhanyam: Ven Pongal (Savoury Pongal)

Mantra: Om Tam Tham Dam

18) Kettai / Jyeshta

Devata: Indra  - Chief of the Gods

Adi Devata: Devendran (Varaha Peruman - the bow avatar of Vishnu or Varahi the feminine form with Shakti energy can also be worshipped)

Rishi: Atri

Siddhar: Vyasa

Ganapathy: Srishti Ganapathy
Bhairava: Kadayudha Bhairava

Temple: Karkadeswarar in Thirunandudevankudi

Abhishekam: Pasum Saana Vibhudhi (Cow Dung Holy Ash)

Dhanyam: Manga Sadham (Mango Rice)

Mantra: Om Dham

19) Moolam / Moola

Devata: Nirriti - God of Dissolution

Adi Devata: Asura or Arakkan (Anjaneya can be worshipped for this Nakshatra)

Rishi: Pulastya

Siddhar: Patanjali

Ganapathy: Uddanda Ganapathy
Bhairava: Sattainatha Bhairava

Temple: Karkadeswarar in Thirunandudevankudi

Abhishekam: Sandhanam (Sandalwood)

Dhanyam: Adirasam (South Indian Sweet)

Mantra: Om Nam Pam Pham

20) Pooradam / Poorva Ashada

Devata: Jala/Apah - The God of Water

Adi Devata: Varunan (Jambukeshwarar representing the water element of Shiva can be worshipped for this Nakshatra. Though off Hinduism, the 'God of Water Jesus' too can be considered)

Rishi: Pulaha

Siddhar: Ramadevar

Ganapathy: Rinamochana Ganapathy
Bhairava: Veera Bhairava

Temple: Karkadeswarar in Thirunandudevankudi

Abhishekam: Pasum Pal and Vilvam (Cows Milk and Bael Leaf)

Dhanyam: Poli (Indian Flatbread Sweet)

Mantra: Om Bam

21) Uthiradam / Uttara Ashada

Devata: Vishwadeva - Universal God 

Adi Devata: Vinayaka (Any form of Vinayak can be considered such as Bala, Taruna, Heramba etc. This is also said to be the birth star of Navagraha Mars (Chevvai))

Rishi: Kratu

Siddhar: Konganar

Ganapathy: Dhundi Ganapathy
Bhairava: Vaduga Nathar Bhairava

Temple: Karkadeswarar in Thirunandudevankudi

Abhishekam: Thara Abhishekham in Sembu Pathram (Water dripping in Copper vessel)

Dhanyam: Kadala Maavu Porul (Peanut Flour Items)

Mantra: Om Bham

22) Tiruvonam / Shravana

Devata: Vishnu - Preserver of Universe

Adi Devata: Vishnu (Any form of Lord Maha Vishnu can be invoked for this Nakshatra with 'Pallikonda Perumal' which is Vishnu in a reclining posture and 'Hayagriva' being an avatar of Vishnu with horses head and human body being specifically mentioned)

Rishi: Vasishta

Siddhar: Dakshinamurthy

Ganapathy: Dvimukh Ganapathy
Bhairava: Marthanda Bhairava

Temple: Karkadeswarar in Thirunandudevankudi

Abhishekam: Sembu Pathram Neer (Water in Copper vessel)

Dhanyam: Arasi Idly, Kesari (Rice cake, saffron sweet)

Mantra: Om Mam

23) Avittam / Dhanishta

Devata: Ashta Vasu - Deities of Earthly Abundance

Adi Devata: Indirani (Ananda Shayana Perumal, the sleeping form of Vishnu can be considered for this Nakshtra. This is also said to be the birth star of Navagraha Mercury (Buddha))

Rishi: Angiras

Siddhar: Thirumoolar

Ganapathy: Trimukha Ganapathy
Bhairava: Ashta Bhairava

Temple: Karkadeswarar in Thirunandudevankudi

Abhishekam: Sangu Abhishekam (Conch Shell)

Dhanyam: Aval (Flattened Rice or Upma)

Mantra: Om Yam Ram

24) Sadayam / Satabhisha

Devata: Varuna - The God of Celestial Oceans

Adi Devata: Yaman (Mrityunjeshwarar the death defying form of Shiva can be considered for worship)

Rishi: Atri

Siddhar: Kowbalar

Ganapathy: Sinha Ganapathy
Bhairava: Sarpa Bhairava

Temple: Karkadeswarar in Thirunandudevankudi

Abhishekam: Panneer (Rose Water)

Dhanyam: Idiyappam, Rava Semiya (String Hoppers, Vermicelli)

Mantra: Om Lam

25) Pooraratathi / Poorva Bhadrapada

Devata: Ajaikapada - Fire Dragon and the one legged Rudra

Adi Devata: Kuberan (Any wealth related God like Kubera Lakshmi can be considered. It is however a predominant Shiva related Nakshatra being ruled by Rudra with Eka Pada Shiva said to be invoked)

Rishi: Pulastya

Siddhar: Jothimuni

Ganapathy: Yoga Ganapathy

Bhairava: Kottai Bhairava

Temple: Karkadeswarar in Thirunandudevankudi

Abhishekam: Thanga Pathram Neer (Water in Gold Vessel)

Dhanyam: Puttu (Steamed Rice Cake)

Mantra: Om Vam Sam

26) Uthiratathi / Uttara Bhadrapada

Devata: Ahir Budhanya - Cosmic Serpent and one of the Rudras

Adi Devata: Kamadhenu (Any God in calf form can be considered. As it is related to cows, energy of this Nakshatra is said to reside in Tirupathi Venkatachalapathi temple in Tirumala. It is however a predominant Shiva related Nakshatra being ruled by Rudra with Maha Eshwar being said to be invoked)

Rishi: Pulaha

Siddhar: Thamaragar

Ganapathy: Durga Ganapathy

Bhairava: Vengala Osai Bhairava

Temple: Karkadeswarar in Thirunandudevankudi

Abhishekam: Velli Pathram Neer (Water in Silver Vessel)

Dhanyam: Ulundhu Vadai, Ulundhu Paruppu Sadham (Urad Dal items)

Mantra: Om Sam Sam Ham

27) Revathi

Devata: Pooshan - The Nourishing and Protective God

Adi Devata: Shani (Aranganatha Perumal in Sri Ranganatha temple and also Madurai Meenakshi can be invoked for this Nakshatra. This is also said to be the birth star of Navagraha Saturn (Shani))

Rishi: Kratu

Siddhar: Sundaranandar

Ganapathy: Sankatahara Ganapathy
Bhairava: Samharamurthy Bhairava

Temple: Karkadeswarar in Thirunandudevankudi

Abhishekam: Snamanam Aivagai Theertham (Five types of holy water)

Dhanyam: Kothumalli Thogayal Sadham (Coriander Rice)

Mantra: Om Am Ah Lam Ksam

Concept of God as per Hinduism and the Associated Nakshatras

Some observations worth inferring is that when it comes to the Trimurti concept of Hinduism represented by the 3 Primary deities Brahma, Vishnu and Shiva that embody the functions of creation, preservation and destruction respectively, it is interesting to note that they tend to rule the following Nakshatras viz:

Brahma - Rohini

Vishnu - Tiruvonam (Shravana)

Shiva - Tiruvadirai (Arudra)

Though there are a number of Nakshatras ruled by forms of Shiva, Tiruvadirai reigns supreme on being the hardcore ruler of Rudra. Similar is the case with Tiruvonam which is the de facto Nakshatra invoking Maha Vishnu.

When it comes to the concept of Tridevi who are the respective consorts of the Trimurtis and known as Saraswathi (Brahma's consort), Lakshmi (Vishnu's consort) and Parvathi (Shiva's consort), they are also said to invoke certain Nakshatras. Saraswathi is known to be the Goddess of learning & education, Lakshmi - the goddess of wealth & prosperity and Parvathi - the goddess of love and devotion. Her highness Parvathi is also known for her fierce form of Durga & Kali representing power and protection. The Nakshatra's ruled by the Tridevi's are as under:

Saraswathi - Ashwini

Lakshmi - Swathi

Parvathi - Pooram (Poorva Phalguni)

Durga (Parvathi fierce form) - Bharani

Hinduism according to Vedic scriptures has this concept of classifying the deities into 33 types. The 33 Gods are further divided as 12 Adityas, 11 Rudras, 8 Vasus, and 2 Ashwins. There is however a slight variation in the Brihadaranyaka Upanishad which classifies the 33 deities as 12 Adityas, 11 Rudras, 8 Vasus with the remaining 2 being made up by Indra and Prajapati. Based on this concept, we can classify these sub classification of deities to be ruling different Nakshatras

12 Adityas - Punarpoosam (Punarvasu)

11 Rudras - Tiruvadirai (Arudra)

8 Vasus - Avittam (Dhanishta)

2 Ashwins - Ashwini

With respect to the 12 Adityas, the deity of Punarpoosam (Punarvasu) is said to be 'Aditi' - the mother of the 12 Adityas. The 12 Adityas are characterised by the following names viz Dhata, Aryama, Mitra, Varuna, Indra, Vivasvan, Tvastha, Vishnu, Amshuman, Bhaga, Poosan and Parjanya. Many of these are themselves ruled by different Nakshatras such as Aryama - Pooram (Poorva Phalguni), Mitra - Anusham (Anuradha), Varuna - Sadayam (Satabhisha), Indra - Kettai (Jyeshta), Tvastha - Chithirai (Chitra), Vishnu - Tiruvonam (Shravana), Bhaga - Uthiram (Uttara Phalguni) and Poosan - Revathi

When it comes to the 11 Rudras, the ruler of Rudra is Tiruvadirai (Arudra). The 11 avatars of Rudras listed in the Shiva Purana include the names 1) Kapali 2) Pingal 3) Bheem 4) Virupaksha 5) Vilohita 6) Shastra 7) Aja Ekapaad 8) Ahir Budhanya 9) Shambhu 10) Chand and 11) Bhava. Out of this Aja Ekapaad is ruled by the Nakshatra Poorattathi (Poorva Bhadrapada) and Ahir Budhanya is ruled by the Nakshatra Uthirattathi (Uttara Bhadrapada)

The 8 Vasus describe the material elements of Agni (Fire), Prithvi (Earth), Vayu (Air), Apah (Water), Akash (Sky/Ether), Nakshatra (Stars) and the luminaries Aditya (Sun) and Soma (Moon). These are all collectively ruled by the star Avittam (Dhanishta). However individually some of these elements such as Fire can be linked to Karthigai (Krithika), Vayu to Swathi, Apah to Pooradam (Poorva Ashada), Sun to Hastham (Hastha) and Moon to Mrigasheerisham (Mrigashira).

The 2 Ashwins are collectively referred to as Ashwini Kumars and are said to be twin solar deities by names Nasatya and Dasra. The Ashwins are said to be sons of the Sun God Surya and his wife Sanjana. The Ashwins are especially known for their medicinal and healing abilities. The twin solar deities are associated with the Nakshatra Ashwini. Considering the alternate context of the final 2 Gods being mentioned as Indra & Prajapati, then in that case Indra is associated with the Nakshatra of Kettai (Jyeshya) and Prajapati is connected to the Nakshatra of Rohini.

Worshipping of the Nakshatras with Illustration

When it comes to worshipping the divine elements associated with the Nakshatra's there are some notions being fed currently that one should not inculcate the deities of the stars that are not in a favourable Tara (star progression). Also there is a view of only the Janma Nakshatra taking precedence when it comes to prayers. This is correct because offering prayers on your birth Nakshatra acts as a shield of protection but there are also other Nakshatras which attain prominence when invoking the divine. It should however be noted that the Janma Nakshatra holds forte and is the reckoning point when ascertaining the divinity with respect to the other Nakshatras.

Based on the Nakshatra in which the Moon is placed in one's birth horoscope, it would be beneficial and a blessing to take obeisance to the respective celestial entities. Lets take the illustration of one Nakshatra viz Tiruvonam aka Shravana and see how best the divine can be invoked. The ancient text 'Kumaraswamiyam' by Lord Muruga recognises a domicile or place of power for every Nakshatra and for Shravana "any place of worship" is considered as it's abode. Thus, just going to any temple by default activates the energy of Shravana Nakshatra. 

Seeing it from the lens of Tara Bala, first up one being born in the Janma Nakshatra of Shravana, that particular day in operation is supposed to infuse tension. Hence worshipping Vishnu by chanting Vishnu Sahasranam or praying to any form representing the Lord such as Perumal or Hayagriva for instance can give them protection. Taking the lineage name of their Rishi which in this case is Rishi Vasishta and obtaining the blessings of their Siddhar Dakshinamurthy can keep them preserved and in good stead. Also there is a general norm of stating one's Janma Nakshatra along with the respective Rasi, Gothra and other particulars provided to the priest to perform Archana in their name. Their Karma Nakshatra viz 10th from their natal Moon is where their past life connection lies. Hence anything related to Rohini Nakshatra can make them have a close initiation based on the Karmas of their past life. On personal observation, have witnessed that these natives have a strong connect with their Karma hence you may see an association with Brahma - the creator, Lord Krishna, Kala Bhairava etc. Rohini is said to represent "Chariot" which can be related to a "Car" in present day world and in fact it might be startling to believe but have actually come across many Tiruvonam (Shravana) natives stating that they absolutely love driving vehicles. It's like as if this trait has been ingrained right from their previous life and those with positive karma tend to be pro's at relevant significations pertaining to their Karma star. The 19th Nakshatra Adhana is the one denoting their "Praptha" and which they have a deep longing and feeling for. Hence for Shravana, the 19th Nakshatra happens to be Hastha and invoking Lord Surya Narayana or doing related stuff such as Yoga, Surya Namaskara, Gayathri chanting etc will help keep their destiny in order.

Other than the Janma/Anujanma/Trijanma Nakshatra, divinities of other Nakshatras can also be initiated such as for instance from the 6th Sadhaka (Achievements) Tara set, the 6th Nakshatra is said to be 'Deiva Anukoolam' translated as favours from God, hence worshipping Shani on Revathi Nakshatra or visiting Sri Rangam can be really beneficial. The 15th Nakshatra mentions about getting attachments from near and dear hence in this case being Ayilyam or Ashlesha, worshipping Snake God or Maharishi Agathiyar can help in forming an intimate connection. The 24th Nakshatra Kettai or Jyeshta mentions about unexpected victories and coming unscathed from any sort of problems - thus invoking Varahi can give them this power. 

From the 4th Nakshatra set known as Kshemam (comforts), invoking the 13th Nakshatra Punarpoosam/Punarvasu significations is said to be extremely beneficial and this also relates to Jeeva Samadhi. So worshipping Lord Rama/Holy Mother/Sage Dhanvantri etc can be very benevolent and comforting. Coming to the 9th Nakshatra set known as Parama Mitra (Extremely friendly), connecting to Agni Bhagwan and Krithika, their 9th Nakshatra by taking refuge at Tiruvannamalai can help enhance their fire energy and make it work very favourably. And then there is the 27th Nakshatra signalling a full completion cycle. This Nakshatra mentions about bowing your head in front of God for seeking favours and this one being Uthiradam or Uttara Ashada, taking obeisance of Lord Ganapathi will be of great support and getting benefits. 

For activating money & prosperity, they should touch upon their 2nd Nakshatra set Sampat (Wealth) especially their 2nd Nakshatra Avittam or Dhanishta and 20th Nakshatra Chithirai or Chitra. For Avittam, praying to Ananda Sayana Perumal can be helpful and since this Nakshatra is also known to be birth star of Mercury (Buddha) which is said to rule 64 Kalas (arts or skills), taking up any skilful activity can be fruitful to activate finance. Likewise their 20th Nakshatra is Chitra which is everything to do with creativity. Thus utilising their creative flair can yield rich dividends. This Nakshatra also talks about embroidered clothes. Thus Shravana individuals, if they do take an active interest with respect to the clothes they adorn, money may indirectly flow to them. With respect to the 8th Nakshatra set Mitra (Friendly), praying to their 8th Nakshatra Bharani and getting blessings of Durga/Kali/Amman can give them good clarity and thought process. Similarly 17th Nakshatra Pooram when they pray to Parvathi/Andal can help in their relationships soaring and bonding being strong. Lastly on this set, calling upon their 20th Nakshatra Pooradam which is predominantly connected to the water element and praying to Jambukeshwarar or taking the hand of Almighty Jesus can be very beneficial in getting support from the society and community. It doesn't mean that the divine pertaining to other Nakshatras cannot be invoked. However it should be noted that any Tara which comes as a negative one to their Janma Tara, it would probably be prudent to provide a Dhanyam (offering) and then take blessings and prayers. 

Results of Navatara Cycle - Janma, Anujanma and Trijanma

Listed below is a general gist of the results provided by the sequence order of Nakshatras. Nakshatra's are 27 in number and divided into 3 cycles viz Janma Nakshatra cycle, Anujanma Nakshatra cycle and the Trijanma Nakshatra cycle. The Janma indicates current birth, Anujanma rebirth or associated with the past and Trijanma future birth or that at the tertiary soul level. In each of these cycles, the Taras are divided into 9 and said to denote different significations. First let's look at the general significations for the 9 Taras followed by the specific significations for each of the 27 Taras as framed by the ancient holy text 'Kumaraswamiyam'

Janma Tara: (1,10,19)

This in essence is the birth Nakshatra and establishes one's individuality, existence and health. The default ruler of Janma Tara happens to be Sun.

Janma Cycle - Tara 1 - Janma (Mana Klesham, Padhattam, Prachana)
The Janma Nakshatra day is said to infuse plenty of tensions, cause anxiety, create problems and make the mind fickle. The mind always tends to be unsteady during days of Janma Nakshatras and it can be related to the prevailing environment when a child is about to take birth which is associated with a lot of difficulty and stress. This day especially requires protection and hence invoking God's blessings can be beneficial. This is one of the main reasons why in the temple we offer obeisance to the Lord on our Janma Nakshatra day.

Anujanma Cycle - Tara 10 - Karma (Karyam)
The Janma Nakshatra in the Anujanma cycle is heavily dependent upon our past life karma. A lot of our actions in our present life plays out based on what we were in the past and hence the initiations in this birth tend to be related a lot to our previous existence. There is even a chance of getting cheated and hurt but on the other side can also lead to fulfilment. It is witnessed that the deity associated with the Karma Nakshatra has a strong hold on us.

Trijanma Cycle - Tara 19 - Aadhangam (Praptham)
The Janma Nakshatra in the Trijanma cycle is associated with deep feelings, emotions and longing. We tend to receive results based upon our earlier destiny in the future periods. This is generally said to be the most auspicious Tara in this set of Janma Tara cycle.

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Sampat Tara: (2,11,20)

This denotes all things related with wealth, prosperity and happiness. The default ruler of Sampat Tara is Mercury.

Janma Cycle - Tara 2 - Sampat (Dhanam, Selvam, Sandosham)
The second Nakshatra in the Janma cycle is said to be highly propitious especially with money related matters and doesn't associate with any negative connotations

Anujanma Cycle - Tara 11 - Samudaya Pagai (Uravugal Thundippu)
The 11th Tara or the second Nakshatra in the Anujanma cycle has a hitch because it mentions that this time can lead to problems with society and ties being severed with close members. Thus, though it is a favorable Nakshatra at large, it comes with its own issues.

Trijanma Cycle - Tara 20 - Subham (Subhiksham)
The 20th Tara or the second Nakshatra in the Trijanma cycle is extremely favourable and is said to be highly auspicious, propitious and fortunate. Thus invoking 20th Nakshatra significations can be highly beneficial.

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Vipat Tara: (3,12,21)

As the name suggests, this translates to all sorts of dangers. It can be with regard to getting hurt, embroiled into issues and all such kind. Vipat Tara's default ruler is Rahu.

Janma Cycle - Tara 3 - Vipat (Ilappu)
The third Nakshatra in the Janma cycle is said to be highly dangerous and losses can take place when it is in operation

Anujanma Cycle - Tara 12 - Dharma Sangadam (Badhippu)
The 12th Tara or the third Nakshatra in the Anujanma cycle is on similar lines to it's Janma counterpart and can indicate troubles, difficulty or embarrassment

Trijanma Cycle - Tara 21 - Maarupattu Soolnilai (Vendatha Velai)
The 21st Tara or the third Nakshatra in the Trijanma cycle can indicate things taking place completely opposite to the direction expected and leads to needless efforts

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Kshema Tara: (4,13,22)

The word 'Kshemam' as such endorses about being in good health and a comfortable state of mind. Hence this is about the well being of the individual concerned by possessing the requisite vitality and being in good spirits. Kshema Tara is default ruled by Jupiter.

Janma Cycle - Tara 4 - Kshemam (Sowkiyam, Vaama Vedhai)
The fourth Nakshatra in the Janma cycle is said to denote comforts and safety but however there is a forewarning as this Tara also connotes 'Vaama Vedhai' which can create hostility or argument when any important work or meeting is said to take place eventually leading to issues, mind problems and mental pain. Thus, it advises the avoidance of something important taking place when the 4th Nakshatra is in transit.

Anujanma Cycle - Tara 13 - Adhigga Sirappu (Padhavi Uyarvu, Jeeva Samadhi)
The 13th Tara or the fourth Nakshatra in the Anujanma cycle is excellent in every way possible. It is the Tara that can lift you up to great heights and this is also the Tara specifically mentioned to invoke Jeeva Samadhi for getting spiritual enlightenment

Trijanma Cycle - Tara 22 - Vainasika (Vadha Vainasikam)
The 22nd Tara or the fourth Nakshatra in the Trijanma cycle on the contrary is said to be destructive of every kind. Counted from this Nakshatra to your Janma Nakshatra it will be 7 and counted from your Janma Nakshatra, this will be 22nd. 7th is inauspicious and 22nd is destruction so it can tend to be extremely unfavourable. However it is mentioned that only the 88th pada is very harmful which would be the 4th pada of the 22nd star if one were born in the 1st pada of Janma Nakshatra, For the other 3 padas, it will move to the 23rd star 1st, 2nd and 3rd pada. Irrespective it is expected to exercise caution when the 22nd Nakshatra is in operation.

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Pratyek Tara: (5,14,23)

This is a negative Tara and denotes all sorts of obstacles. It is said to cause plenty of confusions onto the mind in addition to being a stumbling block with regard to completion of tasks and activities. The ruler of this Tara is Ketu.

Janma Cycle - Tara 5 - Pratyek (Karya Naasam, Kolappam)
The fifth Nakshatra in the Janma cycle indicates that any task performed on this Tara can lead to loss and ruin. It is also associated with plenty of confusions when doing an activity

Anujanma Cycle - Tara 14 - Samanyam (Kashtam)
The 14th Tara or the fifth Nakshatra in the Anujanma cycle can lead to issues of risk and needless difficulties. Hence it advocates being cautious when this is in operation

Trijanma Cycle - Tara 23 - Karya Vignam (Kettu Pogudhal)
The 23rd Tara or the fifth Nakshatra in the Trijanma cycle leads to obstacles or impediment in the task being performed and leads to spoilage of work

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Sadhak Tara:(6,15,24)

This talks about all achievements and benefits which one is entitled to and is said to be the Tara which is said to especially invoke the support of the divine. The ruler of this Tara is Moon.

Janma Cycle - Tara 6 - Sadhak (Deiva Anukoolam)
The sixth Nakshatra in the Janma cycle is said to be the one in which God's blessings are said to arise. Hence worshipping and offering prayers with respect to the deities and articles denoted by the 6th Tara from Janma Nakshatra is essential to have the Almighty's support.

Anujanma Cycle - Tara 15 - Banda Sirippu (Uravugal Menpadum)
The 15th Tara or the sixth Nakshatra in the Anujanma cycle mentions about getting very good support from near and dear one's with relationships blossoming. Catching hold of the deities of this Tara can prove to be really beneficial 

Trijanma Cycle - Tara 24 - Edhirpaaratha Vetri (Prachana Theervu, Idam)
The 24th Tara or the sixth Nakshatra in the Trijanma cycle mentions about name & fame, unexpected victories especially in place of stay. It also talks about emerging successful despite whatever issues that may be prevalent. As its a problem solving Nakshatra, praying to the divinity can lead to benefits

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Vadha Tara:(7,16,25)

This is an inauspicious Tara and is of a killing nature. It is strewn with negativity and denotes all sorts of denials, ill-luck and misfortune. The ruler of this Tara is Saturn.

Janma Cycle - Tara 7 - Vadha (Vedhanai)
The seventh Nakshatra in the Janma cycle is said to bring disappointments and sufferings.

Anujanma Cycle - Tara 16 - Sangathiyam (Vambu Valakku Sandai)
The 16th Tara or the seventh Nakshatra in the Anujanma cycle mentions about getting embroiled in needless issues and fights taking place.

Trijanma Cycle - Tara 25 - Manatham (Thanmana Sodhanai, Mudivu Eduka Mudiyadhu)
The 25th Tara or the seventh Nakshatra in the Trijanma cycle mentions about tremendous turmoil in the mind making it very difficult to be steady or make any decision. It's ideal to avoid this Tara whenever something important needs to take place.

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Mitra Tara:(8,17,26)

This set in essence is supposed to be one of the most auspicious Tara sets in the Navatara sequence. As the name suggests it denotes friendliness and shows the way forward by providing good clarity

Janma Cycle - Tara 8 - Mitra (Natpu)
The eighth Nakshatra in the Janma cycle is said to be friendly and favourable

Anujanma Cycle - Tara 17 - Nanmai (Miga Arumai)
The 17th Tara or the eighth Nakshatra in the Anujanma cycle mentions about auspicious and favourable things taking place. The 17th Nakshatra however could indicate 'Chandrashtama' - a concept where transit Moon moves to the 8th place from natal position but that is only expected to last for few hours and won't hamper the general good significations

Trijanma Cycle - Tara 26 - Jati (Amaippu)
The 26th Tara or the eighth Nakshatra in the Trijanma cycle mentions about getting good name and appreciation from the community

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Paramamitra Tara:(9,18,27)

From the name, it indicates that it's very friendly. However there is a mention of too much of anything not being good and hence a slight caution needs to be exercised in order to ensure that any kind of friendship doesn't go overboard thus causing irritation and bitterness

Janma Cycle - Tara 9 - Parama Mitra (Adhiga Natpu)
The ninth Nakshatra in the Janma cycle is said to be extremely friendly but indicates that no friendship should be taken for granted which can cause bitterness

Anujanma Cycle - Tara 18 - Pana Pagai (Dekshina Vedai)
The 18th Tara or the ninth Nakshatra in the Anujanma cycle mentions about this day being problematic especially with any money related transactions. It also mentions about unnecessary expenses taking place and some changing of hands

Trijanma Cycle - Tara 27 - Vanangum Nilai (Abhishekham, Mudivu)
The 27th Tara or the ninth Nakshatra in the Trijanma cycle is the last Nakshatra from one's Janma Nakshatra. This specifically talks about invoking the blessings of God and is said to be very friendly towards auspicious happenings taking place

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Offerings when Negative Tara is in Operation

In general, it is witnessed that the Tara sets of 1 (Janma), 3 (Vipat), 5 (Pratyek), 7 (Vadha) are advised to be avoided especially for performing any activity as the Tara Bala is said to be weak on these days. However in cases where it is unavoidable, it can still be proceeded by donating the following items when these Tara's are in operation

Janma Tara: Kaigari - Vegetables

Vipat Tara: Vellam - Jaggery

Pratyek Tara: Uppu - Salt

Vadha Tara: Ellu - Sesame

Vedha Nakshatras - Enemy and Repellent to Each Other

Also irrespective of Tara being favourable or unfavourable, there is also a concept of Vedha Nakshatras where certain Nakshatras are said to repel one another. They may be in favourable Tara progression but if they happen to be Vedha (repel), it is better not to invoke the items related to that particular Nakshatra unless prior precaution is taken. The Nakshatra's that are Vedha to each other are as follows:

Ashwini X Kettai (Jyeshta)

Bharani X Anusham (Anuradha)

Karthigai (Krithika) X Visagam (Vishakha)

Rohini X Swathi

Mrigaseerisham (Mrigashira) X Chithirai (Chitra) X Avittam (Dhanishta)

Tiruvadirai (Arudra) X Tiruvonam (Shravana)

Punarpoosam (Punarvasu) X Uthiradam (Uttara Ashada)

Poosam (Pushya) X Pooradam (Poorva Ashada)

Ayilyam (Ashlesha) X Moolam (Moola)

Magam (Magha) X Revathi

Pooram (Poorva Phalguni) X Uthirattathi (Uttara Bhadrapada)

Uthiram (Uttara Phalguni) X Poorattathi (Poorva Bhadrapada)

Hastham (Hastha) X Sadayam (Satabhisha)